Artwork

Untitled

Untitled, by Shibata Zeshin, ink, 1800
Untitled, by Shibata Zeshin, ink, 1800

Untitled is an ink print by the Baroque artist Shibata Zeshin. It dates from 1800 and is held in the collection of the Metropolitan Museum of Art.

Accession no.
JP2187
Credit line
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

About this work

Overview

The work demonstrates the high level of craftsmanship characteristic of the medium, employing hand-carved blocks to achieve soft yet luminous coloration.

Created in 1800 by the Japanese artist Reisai, this untitled surimono is a woodblock print executed in ink and color on paper. The composition features a still life arrangement where a stack of books leans against a folded paper screen. The top volume is depicted open, with its pages rendered to suggest the reflection of light.

Surimono were distinct from commercial ukiyo-e prints; they were produced in limited quantities for private distribution, often serving as gifts for poetry clubs or special occasions. Reisai, known for his expertise in calligraphy and print design, utilized the surimono format to showcase refined artistic techniques. The work demonstrates the high level of craftsmanship characteristic of the medium, employing hand-carved blocks to achieve soft yet luminous coloration.

This piece reflects the Edo period's appreciation for literary culture and the intimate exchange of art among connoisseurs, distinguishing it from the mass-produced theatrical or landscape prints of the era.

Subject & Meaning

The work focuses on books as objects of knowledge and leisure, emphasizing their physical presence through the tilted stack and the play of light on the opened pages. The intimate setting suggests a private, contemplative moment, inviting viewers to consider the value of reading and the tactile experience of handling texts.

Technique & Style

Reisai executed the image by hand‑carving each line onto separate woodblocks, then printing them sequentially, a process typical of surimono prints intended for exclusive audiences. The palette employs soft yet vivid hues that seem to glow, while delicate shading conveys the subtle gleam of light on paper surfaces.

History & Provenance

Produced for small, private gatherings, this print belongs to the tradition of limited‑edition surimono that were exchanged as gifts among connoisseurs. Its rarity reflects the specialized nature of the commissions, and the piece has remained within collections that value such intimate, artist‑driven works.

『蝶揃・寵愛』帯と簪|Roll of Cloth for an Obi and Tortoise-shell Hair Ornaments (“Presents for One’s Beloved”), from the Butterfly Series, from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3)
『蝶揃・寵愛』帯と簪|Roll of Cloth for an Obi and Tortoise-shell Hair Ornaments (“Presents for One’s Beloved”), from the Butterfly Series, from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3), Ryūryūkyo Shinsai

Artist & collection

Frequently asked questions

Who painted Untitled?

Untitled was painted by Shibata Zeshin in 1800.

Where can I see Untitled?

Untitled is held by Metropolitan Museum of Art.

What movement is Untitled?

Untitled is associated with Baroque.