Who painted Anbetung der Hirten (Nachfolger)?

Anbetung der Hirten (Nachfolger) was painted by Rembrandt van Rijn in 1637.

Where can I see Anbetung der Hirten (Nachfolger)?

Anbetung der Hirten (Nachfolger) is held by Bavarian State Painting Collections.

What movement is Anbetung der Hirten (Nachfolger)?

Anbetung der Hirten (Nachfolger) is associated with Dutch Golden Age.

Artwork

Anbetung der Hirten (Nachfolger)

Rembrandt van Rijn , 1637

Anbetung der Hirten (Nachfolger) is an unspecified painting by the Dutch Golden Age artist Rembrandt van Rijn. It dates from 1637 and is held in the collection of the Bavarian State Painting Collections. Created in 1637, this oil painting presents a religious tableau centered on a woman clothed in white, surrounded by figures and animals.

About this work

Overview

Created in 1637, this oil painting presents a religious tableau centered on a woman clothed in white, surrounded by figures and animals. The composition is dominated by a dark background illuminated from the left, giving the scene a subdued atmosphere and emphasizing the central figure’s contemplative gaze.

Subject & Meaning

The work portrays a biblical or devotional moment, likely referencing the adoration of shepherds, as suggested by the presence of a sheep and a dog among the attendants. The central woman's white garment and serene expression convey themes of purity and reverence within the narrative.

Technique & Style

The painting employs pronounced chiaroscuro, with strong contrasts between light and shadow that model the figures and create depth. Muted earth tones and careful handling of texture reflect the influence of Rembrandt’s early Dutch Baroque style, particularly his skill in rendering dramatic illumination.

History & Provenance

Attributed to a follower of Rembrandt Harmenszoon van Rijn, the piece belongs to the broader output of artists working in the Dutch Golden Age. It entered the collection of the Alte Pinakothek, where it remains part of the museum’s holdings of 17th‑century Dutch painting.