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Artwork

Details from "The Adoration of the Magi" and "The Pool at Bethesda"

Jean-Claude-Richard, Abbé de Saint-Non , 1774

Details from "The Adoration of the Magi" and "The Pool at Bethesda", by Jean-Claude-Richard, Abbé de Saint-Non, ink, 1774
Details from "The Adoration of the Magi" and "The Pool at Bethesda", by Jean-Claude-Richard, Abbé de Saint-Non, ink, 1774

Details from "The Adoration of the Magi" and "The Pool at Bethesda" is an ink print by the Romanticist artist Jean-Claude-Richard, Abbé de Saint-Non. It dates from 1774 and is held in the collection of the National Gallery of Art. This 1774 etching by Abbé de Saint-Non combines elements from two biblical scenes: "The Adoration of the Magi" and "The Pool at Bethesda".

Inscription
Inscribed:center left in pen and brown ink: Sebastien Rizzi / cabinet de Smith a venise.; lower right in pen and brown ink: fragonard; upper center verso in pen and brown ink: celle ci est la mesure de la largeur / pour toutes

About this work

Overview

This 1774 etching by Abbé de Saint-Non combines elements from two biblical scenes: "The Adoration of the Magi" and "The Pool at Bethesda". The work features figures in robes, with distinct headwear and attire, alongside sketches of three male heads in the lower corners.

Subject & Meaning

The subject matter blends two New Testament themes. The primary figures likely represent a Magus (turbaned) and possibly a guardian or soldier (sword-bearing, shorter robe) from "The Adoration of the Magi". The sketches below may explore alternate depictions of characters from either scene, such as elders or additional Magi.

Technique & Style

Executed as a counterproof etching reworked in brown wash on laid paper, the piece showcases Saint-Non's layering technique. The combination of etching and wash achieves a range of tonal values, while the sketches in the corners reveal the artist's exploratory process.

History & Provenance

Created in 1774 by Abbé de Saint-Non, a French artist and collector. Provenance details are not provided in the available information.

Context

Saint-Non's work reflects 18th-century European interest in biblical themes and etching as a medium for artistic expression and reproduction. His dual-scene approach may indicate experimentation or a study for larger compositions.

Legacy

The legacy of this specific etching is not detailed in the provided sources, though it contributes to the broader understanding of Abbé de Saint-Non's artistic output and techniques.

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Figure Studies including Seated Mother and Child, François Boucher

Artist & collection

MORE BY JEAN-CLAUDE-RICHARD, ABBÉ DE SAINT-NON

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This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.In the collection of National Gallery of Art. Compiled & edited by , Editor & Founder.

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Frequently asked questions

Who painted Details from "The Adoration of the Magi" and "The Pool at Bethesda"?

Details from "The Adoration of the Magi" and "The Pool at Bethesda" was painted by Jean-Claude-Richard, Abbé de Saint-Non in 1774.

Where can I see Details from "The Adoration of the Magi" and "The Pool at Bethesda"?

Details from "The Adoration of the Magi" and "The Pool at Bethesda" is held by National Gallery of Art.

What movement is Details from "The Adoration of the Magi" and "The Pool at Bethesda"?

Details from "The Adoration of the Magi" and "The Pool at Bethesda" is associated with Romanticism.

Can I buy a print of Details from "The Adoration of the Magi" and "The Pool at Bethesda"?

Museum-quality prints of Details from "The Adoration of the Magi" and "The Pool at Bethesda" are available made-to-order from Artifact World Gallery.