Who painted Prince Amar Singh (1672–1710) Drives His Own Elephant?

Prince Amar Singh (1672–1710) Drives His Own Elephant was painted by Stipple Master in 1695-01-01.

Where can I see Prince Amar Singh (1672–1710) Drives His Own Elephant?

Prince Amar Singh (1672–1710) Drives His Own Elephant is held by Cleveland Museum of Art.

What movement is Prince Amar Singh (1672–1710) Drives His Own Elephant?

Prince Amar Singh (1672–1710) Drives His Own Elephant is associated with Patna School of Painting.

Can I buy a print of Prince Amar Singh (1672–1710) Drives His Own Elephant?

Museum-quality prints of Prince Amar Singh (1672–1710) Drives His Own Elephant are available made-to-order from Artifact World Gallery.

Artwork

Prince Amar Singh (1672–1710) Drives His Own Elephant

Stipple Master , 1698

Prince Amar Singh (1672–1710) Drives His Own Elephant is an unspecified painting by the Patna School of Painting artist Stipple Master. It dates from 1698 and is held in the collection of the Cleveland Museum of Art. Created in 1698, this painting portrays Prince Amar Singh, a Mughal royal who lived from 1672 to 1710, guiding his own elephant.

About this work

Overview

Created in 1698, this painting portrays Prince Amar Singh, a Mughal royal who lived from 1672 to 1710, guiding his own elephant. The composition centers on two figures mounted on a dark‑grey elephant, its long ivory tusk and richly colored saddle blanket drawing the eye. The work is part of the collection of the Cleveland Museum of Art in Ohio.

Subject & Meaning

The scene captures a ceremonial procession in which the prince, dressed in a bright yellow garment and a red headdress, leads the animal, while a companion in blue and gold follows, each holding a staff or ceremonial object. The depiction emphasizes royal authority and the prestige associated with elephant riding, a traditional symbol of power in South Asian courts.

Technique & Style

Executed by an artist known as the Stipple Master, the painting employs fine stippling to render texture and depth, a method characteristic of late‑17th‑century Indian court art. The palette combines muted earth tones in the background with vivid reds, golds, and yellows for the figures, creating a contrast that highlights the central action while echoing the decorative aesthetics of the period.

History & Provenance

Since its creation, the work has remained within the sphere of Indian miniature painting before entering Western collections. It was acquired by the Cleveland Museum of Art, where it now serves as an example of Mughal-era portraiture and the cross‑cultural exchange of artistic techniques during the late 1600s.