Artwork

Portrait of a Man

Portrait of a Man, oil, 1750
Portrait of a Man, oil, 1750

Portrait of a Man is an oil painting. It dates from 1750 and is held in the collection of the National Gallery of Art.

Inscription
Inscribed:Formerly bore false signature center left: A. Wertmuller/ Philadelphia 1795

About this work

Technique & Style

The painting’s surface consists of oil paint applied to a stretched canvas support, a technique typical of 18th-century portraiture.

The work is an oil painting executed on canvas, dating to 1750 and measuring 65.4 cm by 91.4 cm. It is classified as a portrait and forms part of the National Gallery of Art’s collection in Washington, D.C., having entered the museum in 1947 as a gift from the A. W. Mellon Educational and Charitable Trust. The painting’s surface consists of oil paint applied to a stretched canvas support, a technique typical of 18th-century portraiture. Its formal composition depicts a solitary male sitter, rendered with the restrained brushwork and muted palette characteristic of contemporary portrait conventions.

History & Provenance

Portrait of a Man, an oil on canvas dated 1750, was owned by Rose M. (Mrs. Augustus) de Forest of New York before being sold on 15 August 1927 to the New York collector Thomas B. Clarke. Clarke’s estate sold it on 29 January 1936 through the dealer M. Knoedler & Co. to the A. W. Mellon Educational and Charitable Trust, which gifted it to the National Gallery of Art, Washington, D.C., in 1947. It is held there as part of the Andrew W. Mellon collection under accession number 1947.17.100.

The work is attributed to an unknown 18th-century artist and measures 65.4 × 91.4 cm; commission details are not documented.

Context

Portrait of a Man is an 18th-century oil portrait attributed to an unknown artist, painted around 1750 and depicting a male sitter. It entered the National Gallery of Art through the Andrew W. Mellon collection, having previously been owned by Thomas B. Clarke and sold via M. Knoedler & Co. in 1936. Its documented provenance illustrates typical early-20th-century American collecting practices, and the uncertainty surrounding its authorship reflects the difficulty of attributing anonymous portraits of the period.

Overview

This oil on canvas, titled "Portrait of a Man," presents a seated male figure in a formal posture. The artwork functions as a visual record, capturing the subject's serious demeanor and period clothing. It offers a direct glimpse into the sartorial choices and social presentation prevalent during the era in which it was created, emphasizing individual presence through traditional portraiture.

Subject & Meaning

The artist dedicated considerable attention to rendering the man's attire and accessories. This meticulous detail not only defines the individual's appearance but also serves as a historical document, illustrating the fashion trends and stylistic preferences of the time. The formal pose and solemn expression contribute to a portrayal that likely aimed to convey status or character.

Portrait of Pieter Parker, Alderman, Burgomaster and Councilor of Goes
Portrait of Pieter Parker, Alderman, Burgomaster and Councilor of Goes, B. Monmorency

Artist & collection

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Where can I see Portrait of a Man?

Portrait of a Man is held by National Gallery of Art.

What movement is Portrait of a Man?

Portrait of a Man is associated with Rococo painting.