Who painted Antwerp-Baltimore Quadriptych?

Antwerp-Baltimore Quadriptych was painted by Unknown in 1390.

Where can I see Antwerp-Baltimore Quadriptych?

Antwerp-Baltimore Quadriptych is held by Walters Art Museum.

What movement is Antwerp-Baltimore Quadriptych?

Antwerp-Baltimore Quadriptych is associated with Gothic painting.

Artwork

Antwerp-Baltimore Quadriptych

Unknown , 1390

Antwerp-Baltimore Quadriptych is an oil painting by the Gothic painting artist Unknown. It dates from 1390 and is held in the collection of the Walters Art Museum. The work titled Antwerp‑Baltimore Quadriptych is a tempera painting that presents the resurrection of Jesus Christ.

About this work

Overview

The work titled Antwerp‑Baltimore Quadriptych is a tempera painting that presents the resurrection of Jesus Christ. Central to the composition, Christ steps from the tomb clutching a red flag in his right hand while a blue cloth hangs from his left shoulder. A halo and crown of thorns emphasize his divine suffering, and his wounded body is rendered with careful attention to detail.

Subject & Meaning

The scene captures the pivotal Christian moment of Christ’s emergence from the tomb, symbolizing victory over death.

The scene captures the pivotal Christian moment of Christ’s emergence from the tomb, symbolizing victory over death. The red flag denotes triumph, while the blue cloth may reference baptismal themes. Surrounding figures, including a green‑clad knight and a woman in a floral dress, represent witnesses to the miracle, underscoring the reverent and solemn atmosphere typical of resurrection iconography.

Technique & Style

Executed in tempera, the painting displays fine, layered brushwork that allows for intricate patterns in the garments and textures in the surroundings. The warm, golden background creates a luminous field that highlights the central figure, while the use of vivid colors, particularly the reds, blues, and greens, enhances the visual narrative without sacrificing the overall solemnity.

History & Provenance

The title suggests a connection between Antwerp and Baltimore, indicating that the work may have originated in the Flemish artistic tradition before entering an American collection. Specific details about its creation date, artist, and ownership trail are not provided, but the naming convention points to a provenance that spans both European and North American contexts.