Artwork
Don Bernardo de Iriarte (1735–1814)

Don Bernardo de Iriarte (1735–1814) is an oil painting. It dates from 1799 and is held in the collection of the Metropolitan Museum of Art. This oil painting depicts Don Bernardo de Iriarte, a prominent figure, in a formal seated portrait.
About this work
Subject & Meaning
It belongs to the portrait genre, a format that in the late 18th century emphasized the sitter’s social standing and personal identity.
The work is a portrait of Bernardo de Iriarte, a man, painted in 1797 using oil on canvas. It belongs to the portrait genre, a format that in the late 18th century emphasized the sitter’s social standing and personal identity. The painting was created as a copy after Goya and entered the collection of the Metropolitan Museum of Art, where it remains.
Its subject is presented with the dignified bearing typical of aristocratic portraiture, underscoring notions of lineage and status.
Technique & Style
Executed in 1797, this portrait of Don Bernardo de Iriarte is an oil painting on canvas. The work measures 108 cm in height by 85.1 cm in width. Stylistically, the piece is identified as a copy after the renowned Spanish master Francisco Goya, rather than an original composition by a different hand.
The image depicts a male subject in a formal portrait genre. Currently held in the collection of the Metropolitan Museum of Art, the painting entered the institution through the ownership of Mary Emma Stillman Harkness. The medium and support combination of oil and canvas was standard for portraiture of this period, allowing for the detailed rendering of the sitter's features and attire characteristic of late eighteenth-century Spanish court painting.
History & Provenance
The portrait of Don Bernardo de Iriarte was painted in 1797 as an oil on canvas work measuring 108 × 85.1 cm. It is a copy after a Goya composition and depicts the sitter in a conventional portrait format. The painting entered the collection of Mary Emma Stillman Harkness before being acquired by the Metropolitan Museum of Art, where it remains on view. Its creation is documented by the 1797 date recorded in the artist’s entry and the inception field of the museum record.
Context
Bernardo de Iriarte (1735–1814) is represented in a 1797 oil‑on‑canvas portrait that closely follows the style of Francisco de Goya, as documented in the work’s catalogue entry and confirmed by its attribution as a copy after Goya. The painting, measuring 108 × 85.1 cm, depicts the Spanish diplomat in formal dress and was part of the collection of Mary Emma Stillman Harkness before entering the Metropolitan Museum of Art, where it remains on view. Its classification as a portrait within the museum’s holdings situates it among late‑18th‑century Spanish elite portraiture, illustrating the neoclassical synthesis of Spanish aristocratic identity and Goya’s influential compositional approach.
Overview
This oil painting depicts Don Bernardo de Iriarte, a prominent figure, in a formal seated portrait. The artwork captures his serious demeanor, with his gaze directed outward. The composition emphasizes a sense of gravity and decorum, reflecting the sitter's status and the era's conventions for formal portraiture.
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