Artwork
Lovers Parting, Page from a Book of Fables

Lovers Parting, Page from a Book of Fables is an unspecified painting. It dates from 1596 and is held in the collection of the Cleveland Museum of Art.
About this work
Technique & Style
The work is a painting on paper, originating from 1592 and held in the Cleveland Museum of Art. It exemplifies the formal qualities of a book illustration, combining delicate brushwork with restrained color to convey emotional nuance in the depicted farewell scene.
History & Provenance
Lovers Parting, Page from a Book of Fables is held by the Cleveland Museum of Art and is cataloged under the accession number 2013.
The work, titled Lovers Parting, Page from a Book of Fables, was created in 1592 by an unknown artist. It is classified as a painting and is currently held in the collection of the Cleveland Museum of Art in Cleveland. The museum acquired the piece with the accession number 2013.303.a.
No details regarding the original commission, specific patron, or intermediate ownership history prior to the museum's acquisition are provided in the available records.
Lovers Parting, Page from a Book of Fables is held by the Cleveland Museum of Art and is cataloged under the accession number 2013.303.a. The work was created in 1592 and has been part of the museum's collection since its acquisition.
Context
The Cleveland Museum of Art holds this painting from 1592, attributed to an unknown artist as part of their collection. It appears as a page from a 16th-century book of fables, reflecting contemporary approaches to narrative illustration. The work is situated within the broader tradition of illustrated emblem books that emerged during the late Renaissance, though its specific artistic influences remain unclear due to the anonymity of its creator.
Overview
The work, titled Lovers Parting, Page from a Book of Fables, depicts a rocky terrain under a pale sky. A man dressed in bright red and blue gestures toward a woman in a red dress who cradles an infant. A large green-scaled snake coils nearby, while two deer sprint in the distance, and a modest building rises on a hillside beyond trees.
Subject & Meaning
The composition presents a narrative scene drawn from a fable, suggesting themes of separation and protection. The contrasting colors of the figures and the serpent emphasize the emotional tension between the departing lover, the child, and the looming threat symbolized by the snake.
Artist & collection









