Mukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

The work illustrates a dramatic episode from the Persian narrative collection known as the Tuti‑nama, or Tales of a Parrot. In the scene, a woman clings to a tree branch while a man leans over a rocky precipice, both figures rendered in vivid, contrasting hues. The composition centers on the tension between the two characters against a dark, atmospheric background.

The painting visualizes the moment when Mukhtar attempts to cast his wife Maimuna into a pit, yet she manages to rescue herself. The woman's strained grip on the branch and the man's forward‑leaning posture convey desperation and conflict, emphasizing themes of betrayal, survival, and the moral reversals common in the Tuti‑nama stories.

Executed with bold, saturated colors, green and red for the female figure, orange and white for the male, the artist employs a dynamic diagonal composition that heightens the sense of movement. The stark contrast between the illuminated figures and the shadowy backdrop creates depth, while the simplified forms and exaggerated gestures reflect a narrative illustration tradition rather than a naturalistic approach.

Works derived from the Tuti‑nama have informed later Persian and South Asian visual storytelling, influencing miniature painting and folk art that depict moral anecdotes. This particular scene continues to be referenced in studies of narrative art for its clear portrayal of tension and its use of color to delineate character roles.