Artwork
Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This work is a painted page from the Persian manuscript known as the Tales of a Parrot, or Tuti‑nama.
About this work
Subject & Meaning
The depicted subject is a page of text from the Tuti-nama, a Persian narrative that uses a parrot as a storytelling frame. The work originates from the Mughal Empire and is housed in the Cleveland Museum of Art. It was created in 1560 and classified as a painting.
History & Provenance
The text page from the Tales of a Parrot (Tuti-nama), created in 1560, is held in the collection of the Cleveland Museum of Art in Cleveland.
The present page entered the Cleveland Museum of Art in 1962 as part of a gift, where it is catalogued as 1962.279.285.a.
The manuscript to which this page belongs was produced in the Mughal Empire and is dated to 1560, aligning with the reign of Emperor Akbar when the Tuti-nama was commissioned and illustrated.
The text page from the Tales of a Parrot (Tuti-nama), created in 1560, is held in the collection of the Cleveland Museum of Art in Cleveland. The work is cataloged under the accession number 1962.279.285.a. While the source confirms the museum's location and the specific inventory identifier for this painting, no details regarding past or future exhibition history are provided in the available records.
Overview
This work is a painted page from the Persian manuscript known as the Tales of a Parrot, or Tuti‑nama. The entire surface is occupied by flowing black calligraphy set against a light ground, creating a dense textual field that functions as the primary visual element.
Technique & Style
The calligraphic letters are rendered in a precise yet expressive hand, each character combining curved strokes with angular accents that give the script a dynamic, almost pictorial quality. A subtle reddish border frames the page, while minute blue specks scattered across the surface resemble dust, adding texture without detracting from the legibility of the text.
Context
Manuscript pages like this one were integral to the visual culture of the Islamic world, where the art of calligraphy was esteemed alongside figurative painting. The Tuti‑nama’s blend of narrative and decorative script reflects a broader tradition of integrating literary content with aesthetic presentation.
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