Artwork

Text, Folio 21 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Text, Folio 21 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14
Text, Folio 21 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14

Text, Folio 21 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is an unspecified painting by Unknown. It dates from 14 and is held in the collection of the Cleveland Museum of Art.

Accession no.
1938.301.21.a

About this work

Overview

This narrow folio, catalogued as Text, Folio 21 (recto), forms part of a larger manuscript of the Ashtasahasrika Prajñāpāramitā, a Buddhist scripture known as the Perfection of Wisdom in Eight Thousand Lines. The sheet is light‑brown, its left edge uneven, and bears dense, dark‑brown ink script arranged in horizontal lines across three textual blocks.

Subject & Meaning

The page contains a segment of the Prajñāpāramitā sutra, a key Mahāyāna text that expounds the concept of emptiness and the perfection of wisdom. Its content reflects the doctrinal emphasis on transcending ordinary perception through profound philosophical insight.

Technique & Style

Written with a fine brush in dark brown pigment, the calligraphy is tightly packed, maximizing the limited space of the narrow paper. The material appears aged, showing signs of wear such as tears, creases, and a slightly roughened surface, typical of hand‑produced Buddhist manuscripts.

History & Provenance

The folio originates from an unidentified scriptorium; the artist remains unknown. It is a component of a complete manuscript of the Ashtasahasrika Prajñāpāramitā, suggesting it was produced for religious study or ritual use within a monastic setting.

Context

Manuscripts of the Prajñāpāramitā were widely copied across Central and East Asia from the early medieval period onward. This particular fragment reflects the broader tradition of Buddhist textual transmission, where dense script and durable paper were employed to preserve extensive doctrinal works.

Text, folio 172 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, folio 172 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Unknown

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted Text, Folio 21 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)?

Text, Folio 21 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) was painted by Unknown in 14.

Where can I see Text, Folio 21 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)?

Text, Folio 21 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is held by Cleveland Museum of Art.