Artwork
Text of Rustam and Suhrab, from the Shah-nama of Firdausi (Persian, c. 934–1020) (verso)

Text of Rustam and Suhrab, from the Shah-nama of Firdausi (Persian, c. 934–1020) (verso) is an unspecified painting. It dates from 1610 and is held in the collection of the Cleveland Museum of Art.
About this work
Subject & Meaning
The painting, executed in 1610, appears on the verso of a folio and depicts Rustam and Suhrab, the legendary heroes drawn from Ferdowsi's Shahnameh.
The painting, executed in 1610, appears on the verso of a folio and depicts Rustam and Suhrab, the legendary heroes drawn from Ferdowsi's Shahnameh. As a visual rendering of this Persian epic, the artwork illustrates a key narrative moment from the story, continuing the tradition of illustrating the Shahnameh in Persian painting. The subject underscores the enduring cultural resonance of the Rustam and Suhrab episode within the visual arts today.
History & Provenance
The painting dates to 1610, a date recorded as its inception and classification within the Cleveland Museum of Art's records. It is identified as the verso of a folio containing the text of Rustam and Suhrab from the Shah-nama of Firdausi.
The work entered the Cleveland Museum of Art's collection under the accession number 2013.283.2.b, indicating an acquisition associated with the year 2013. No further details regarding earlier ownership, commission, or chain of custody prior to the museum's acquisition are documented in the available records.
The painting depicting the text of Rustam and Suhrab from the Shah-nama of Firdausi is held in the collection of the Cleveland Museum of Art in Cleveland. The work, created in 1610, is cataloged under the accession number 2013.283.2.b. No specific exhibition history is recorded in the available documentation for this object.
Overview
This artifact is a single folio from the illustrated Shah‑nama, the epic poem composed by the Persian poet Firdausī in the late 10th to early 11th century. The page presents the narrative of Rustam and Suhrab in dense black calligraphy, occupying the entire surface without accompanying figurative imagery.
Technique & Style
Rendered in a flowing Persian script, the letters are carefully proportioned, with occasional elongations and curvilinear strokes that enhance legibility and aesthetic balance. A modest decorative band near the bottom employs red pigment and gold leaf, providing a restrained yet striking contrast to the monochrome body of the page.
Context
During Firdausī’s era, the Shah‑nama served both as a literary masterpiece and a vehicle for political legitimation, reinforcing the cultural identity of Persian-speaking courts. Manuscript production combined calligraphic expertise with limited illumination, reflecting the aesthetic preferences of the time.
Legacy
Pages such as this illustrate the enduring influence of the Shah‑nama on Persian art and literature, informing later illustrated manuscripts and visual storytelling traditions across the Islamic world.
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