Artwork

南宋 傳直翁 藥山李翱問道圖 軸|Meeting between Yaoshan and Li Ao

南宋  傳直翁   藥山李翱問道圖    軸|Meeting between Yaoshan and Li Ao, by Zhiweng, ink, 1256
南宋  傳直翁   藥山李翱問道圖    軸|Meeting between Yaoshan and Li Ao, by Zhiweng, ink, 1256

南宋 傳直翁 藥山李翱問道圖 軸|Meeting between Yaoshan and Li Ao is an ink painting by the Song dynasty landscape artist Zhiweng. It dates from 1256 and is held in the collection of the Metropolitan Museum of Art.

About this work

Technique & Style

The medium is monochrome ink, a traditional East Asian format that relies on tonal modulation of brush and wash rather than color.

Originally a horizontal painting, the work was remounted as a hanging scroll executed in ink on paper. The medium is monochrome ink, a traditional East Asian format that relies on tonal modulation of brush and wash rather than color. Its religious subject matter is rendered in a manner consistent with Southern Song Chan (Zen) Buddhist ink painting, in which figure groupings are conveyed through calligraphic brushwork and atmospheric ink handling. The scroll is held in the Metropolitan Museum of Art collection.

The remounting from a handscroll to a hanging-scroll format reflects later mounting interventions rather than the artist's original handling, and no specific condition report is documented in the available sources.

History & Provenance

The work, titled Meeting between Yaoshan and Li Ao, is an ink-on-paper hanging scroll attributed to the artist Zhiweng. It was created in China during the Southern Song dynasty, with the specific date of inception recorded as 1227. The painting depicts a religious scene involving a man and is classified within the genre of religious art.

Regarding its ownership history, the artwork is currently held in the collection of the Metropolitan Museum of Art. The piece serves as a historical record of the interaction between the figures Yaoshan and Li Ao, preserved within the museum's holdings.

The painting titled Meeting between Yaoshan and Li Ao, also known as 南宋 傳直翁 藥山李翱問道圖 軸, is held by the Metropolitan Museum of Art in New York. The museum’s catalogue entry describes it as a horizontal painting on paper, mounted as a hanging scroll, ink on paper, dating to 1227 and originating in China; it is classified as a religious painting within the broader category of paintings. No accession or inventory number is supplied in the available records, and the sources do not mention any exhibition history for the work.

Context

Dated to 1227, the hanging scroll by Zhiweng depicts the legendary meeting of the Buddhist masters Yaoshan and Li Ao, a scene that exemplifies the religious themes prevalent in Southern Song painting. Executed in ink on paper as a horizontal work mounted as a hanging scroll, it belongs to the religious genre classification. Its inclusion in the Metropolitan Museum of Art collection has made it a point of reference in scholarly discussions of 13th‑century Chinese narrative art, highlighting Zhiweng’s contribution to the period’s devotional visual culture.

Overview

Created in 1256 during the Southern Song dynasty, this ink-on-paper hanging scroll by the monk‑artist known as Zhiweng (傳直翁) records a quiet encounter between the Zen master Yaosang and the celebrated Confucian scholar Li Ao. The composition is horizontal, focusing on two seated figures against an unadorned backdrop, emphasizing the intimacy of their dialogue.

Subject & Meaning

The central monk, perched on a rock, gestures toward a scroll while Li Ao, dressed in dark scholarly robes, listens attentively. A servant, holding an umbrella, shelters the scholar, suggesting a setting in the mountains where the master imparts Buddhist teachings to a learned layman, symbolizing the exchange between spiritual and intellectual traditions.

Legacy

The work is referenced in later Song and Yuan painting manuals as an example of narrative simplicity and moral instruction. Its clear composition and subtle brush technique have informed subsequent generations of Chinese ink painters who aim to convey scholarly exchange with visual restraint.

霊彩筆 豊干寒山拾得図|Fenggan, Hanshan, and Shide
霊彩筆 豊干寒山拾得図|Fenggan, Hanshan, and Shide, Shibata Zeshin

Artist & collection

Portrait of Zhiweng

Artist

Zhiweng

This painter worked in the Southern Song dynasty, making ink-on-paper scrolls. One scroll here shows the meeting between two monks, Yao-shan and Li Ao, painted before 1256. Lines are spare and brushstrokes few, keeping…

Frequently asked questions

Who painted 南宋 傳直翁 藥山李翱問道圖 軸|Meeting between Yaoshan and Li Ao?

南宋 傳直翁 藥山李翱問道圖 軸|Meeting between Yaoshan and Li Ao was painted by Zhiweng in before 1256.

Where can I see 南宋 傳直翁 藥山李翱問道圖 軸|Meeting between Yaoshan and Li Ao?

南宋 傳直翁 藥山李翱問道圖 軸|Meeting between Yaoshan and Li Ao is held by Metropolitan Museum of Art.

What movement is 南宋 傳直翁 藥山李翱問道圖 軸|Meeting between Yaoshan and Li Ao?

南宋 傳直翁 藥山李翱問道圖 軸|Meeting between Yaoshan and Li Ao is associated with Song dynasty landscape.