Who painted Arabesque with a Monkey?

Arabesque with a Monkey was painted by Anne Allen in 1764.

Where can I see Arabesque with a Monkey?

Arabesque with a Monkey is held by National Gallery of Art.

What movement is Arabesque with a Monkey?

Arabesque with a Monkey is associated with Romanticism.

Can I buy a print of Arabesque with a Monkey?

Museum-quality prints of Arabesque with a Monkey are available made-to-order from Artifact World Gallery.

Artwork

Arabesque with a Monkey

Anne Allen , 1764

Arabesque with a Monkey is an ink print by the Romanticist artist Anne Allen. It dates from 1764 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower left in plate: J. Pillement in.; lower right in plate: Anne allen S.

About this work

Overview

Anne Allen’s print Arabesque with a Monkey, executed around 1764, is a color etching on laid paper. The work combines multiple ink colors applied à la poupée, a method that allows several hues to be printed in a single pass. Its composition is densely populated, featuring a monkey, a pavilion, and a profusion of ornamental motifs that interweave across the surface.

Subject & Meaning

The central figure, a monkey suspended from a vine, anchors a whimsical scene that includes a small pavilion beneath a contorted tree, gold‑toned vases, and assorted birds. The surrounding arabesques and swirling patterns suggest an imagined, almost fantastical garden, inviting viewers to contemplate the interplay between the natural and the decorative.

Technique & Style

Allen employed the à la poupée technique, hand‑applying different colored inks to the same plate before a single impression. This approach yields soft blues, greens, and golds that blend subtly, while the etched lines remain fine and precise, reminiscent of lacework. The result is a delicate yet intricate surface where color and line coexist harmoniously.

History & Provenance

Created in the mid‑eighteenth century, the print reflects the period’s fascination with exotic subjects and ornamental design. While specific ownership records are scarce, the work is documented in several catalogues of British printmaking, confirming Anne Allen’s activity as a female etcher during a time when few women were recognized in the medium.