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Copy after The Raising of Lazarus attributed to Buonamico di Martino called Buffamalco in the Lower Church of San Francesco (Assisi), by buffalmacco, watercolor, 1874

Copy after The Raising of Lazarus attributed to Buonamico di Martino called Buffamalco in the Lower Church of San Francesco (Assisi)

buffalmacco

1874

watercolor

From the collection of Victoria and Albert Museum

Dominant colour

Overview

Copy after The Raising of Lazarus attributed to Buonamico di Martino called Buffamalco in the Lower Church of San Francesco (Assisi) is a 1874 watercolor by buffalmacco, a Impressionism work, held at Victoria and Albert Museum.

Who painted this?
buffalmacco
When & what style?
1874 · Impressionism
Where can I see it?
Victoria and Albert Museum

About this work

This painting shows a group of people in a landscape with rolling hills and trees. One man in a blue robe stands out, pointing toward another figure wrapped in cloths. Around them, others react—some kneel, some gesture, and one person looks upward. The colors are soft, with earthy tones and bright halos around a few heads. The scene is based on a biblical story, but the artist used a calm, almost dreamy style. The painting was made later as a copy of an older fresco, but it keeps the same quiet drama. Check out the Victoria and Albert Museum to see more works like this.

The story of this work

Overview

A watercolour depicting a mountain landscape includes a gathering of figures on the left positioned behind Christ, with two women kneeling before him. On the right, a group of men supports a wrapped figure, likely Lazarus, and most figures in the scene are shown with halos. The work is a 19th-century copy made by Edward Kaiser in 1874 for the Arundel Society, later acquired by a museum in 1995 from the National Gallery of London.

Read the full account in the museum source.

About the artist

Portrait of buffalmacco
Artist

buffalmacco

Buonamico di Martino, otherwise known as Buonamico Buffalmacco (active c. 1315–1336), was an Italian Renaissance painter who worked in Florence, Bologna, and Pisa. Although none of his known work has survived, he is…

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