Who painted The Last Supper?

The Last Supper was painted by Jacob Cornelisz. van Oostsanen in 1514.

Where can I see The Last Supper?

The Last Supper is held by National Gallery of Art.

What movement is The Last Supper?

The Last Supper is associated with Renaissance.

Can I buy a print of The Last Supper?

Museum-quality prints of The Last Supper are available made-to-order from Artifact World Gallery.

Artwork

The Last Supper

Jacob Cornelisz. van Oostsanen , 1514

The Last Supper is an ink print by the Renaissance artist Jacob Cornelisz. van Oostsanen. It dates from 1514 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower center, in block, on tablet: [artist's monogram]

About this work

Overview

Decorative borders frame the image, and the entire scene is rendered in stark black‑and‑white lines that convey depth despite the medium’s limitations.

Jacob Cornelisz van Oostsanen’s 1514 woodcut titled The Last Supper presents a densely populated interior where Christ sits at a table with the twelve disciples. The composition fills the space with figures in various poses, while a window behind them admits light. Decorative borders frame the image, and the entire scene is rendered in stark black‑and‑white lines that convey depth despite the medium’s limitations.

Subject & Meaning

The print depicts the biblical moment of the final meal shared by Jesus and his followers, emphasizing the communal aspect of the event. Objects such as bowls, a pitcher, and loaves of bread underscore the ritual of sharing food, while the focused gazes of the participants suggest contemplation of the impending betrayal and sacrifice.

Technique & Style

Executed as a woodcut on laid paper, the work relies on incised wooden blocks to produce bold, precise lines. Van Oostsanen employs strong contrasts and fine hatching to suggest volume and spatial recession, achieving a sense of three‑dimensionality within a monochrome field. The decorative edge patterns reflect contemporary print design conventions in the Northern Netherlands.

History & Provenance

Created during the early 16th century, the print emerged as Amsterdam was developing into a cultural hub. Van Oostsanen, already recognized for his contributions to printmaking, used this piece to demonstrate his mastery of woodcut, a medium in which he was among the first notable artists in the region. The original impression remains documented in several European print collections.

Context

The work illustrates the growing demand for devotional images in a period of expanding urban literacy and private worship. By rendering a complex narrative in a reproducible format, van Oostsanen helped disseminate religious iconography beyond painted altarpieces, influencing subsequent Northern Netherlandish printmakers who adopted similar compositional density and technical precision.