Artwork
Le dernier jour de la réception des tableaux. Saperlotte . . . Nous voici déjà arrivés et mon tableau n'est pas fini!

Le dernier jour de la réception des tableaux. Saperlotte . . . Nous voici déjà arrivés et mon tableau n'est pas fini! is an ink print by the Romanticist artist Honoré Daumier. It dates from 20 and is held in the collection of the National Gallery of Art.
About this work
Overview
This lithograph by Honoré Daumier depicts a chaotic scene of people rushing to deliver oversized artworks to the Musée Royal, conveying a sense of urgency and frantic activity.
Subject & Meaning
The print humorously critiques the strict deadlines of the Salon, with a bearded artist in the foreground embodying panic as others struggle with their wobbling loads, highlighting the chaos of last-minute submissions.
Technique & Style
Daumier's characteristic lithographic technique captures dynamic movement and detailed urban backdrop, enhancing the comedic intensity of the moment.
History & Provenance
Part of Daumier's body of work satirizing 19th-century French societal norms, this piece specifically targets the Salon's stringent rules, reflecting the artist's penchant for social commentary.
Context
Created amidst the bustling artistic life of 19th-century Paris, the lithograph reflects the pressures faced by artists under the Salon's deadline-driven system.
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Artist & collection
Artist
Honoré-Victorin Daumier (French: ; 26 February 1808 – 10 or 11 February 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the…















