Artwork
Tiens c't'idée! Le municipal qui boit un coup...
Tiens c't'idée! Le municipal qui boit un coup... is an ink print by the Romanticist artist Honoré Daumier. It dates from 1841 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:lower left in stone: h.D; lower right in stone: 292; lower left below image in stone: Chez Bauger R. du Croissant 16.; lower right below image in stone: Imp. d'Aubert & Cie.; upper center above image in stone: LES BAIGNEURS.; across bottom in stone: Tiens et' idée! le municipal qui boit un coup.....fallait donc le dire, on vous aurait payé queq'chose, guerrier! l'autorité qui se / rafraichit... ohé Gugusse...qui est ce qui repêche l'autorite?
About this work
Overview
Created in 1841, this lithograph by Honoré Daumier captures a moment of abrupt physical comedy involving two men and a body of water. Executed on wove paper, it belongs to a series of satirical prints Daumier produced for French periodicals, using the accessibility of lithography to reach a broad audience with sharp social critique.
Subject & Meaning
The scene portrays a municipal official being thrown into water by a figure in casual attire, likely a commoner. The title, a colloquial French exclamation, mocks the official’s presumptuousness. Daumier frames the act not as violence but as public retribution, reflecting popular resentment toward corrupt or complacent local authorities during the July Monarchy.
Technique & Style
Daumier employs bold, fluid lines and dramatic chiaroscuro to heighten the immediacy of the action. The figures are rendered with loose, expressive strokes, while the background crowd is suggested through minimal, shadowed forms. The contrast between the sharply defined central figures and the indistinct onlookers directs focus to the moment of confrontation, enhancing the print’s kinetic energy.
History & Provenance
The print was published in Le Charivari, a satirical journal where Daumier was a regular contributor. It emerged during a period of intense political tension in France, when censorship targeted caricatures of public officials. Despite risks, Daumier continued producing such images, embedding subversive commentary within seemingly trivial scenes of everyday life.
Context
In early 1840s France, municipal officials were often seen as extensions of a repressive regime. Daumier’s work tapped into public frustration, using humor to expose hypocrisy. His prints circulated widely among the urban middle and working classes, functioning as visual protest, accessible, immediate, and resistant to official control.
Legacy
This lithograph exemplifies Daumier’s enduring influence on political illustration and modern cartooning. His ability to distill complex social tensions into single, vivid moments set a precedent for later satirical artists. Though created for ephemeral publication, such works remain vital records of 19th-century civic discontent and the power of visual satire.
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Artist & collection
Artist
Honoré-Victorin Daumier (French: ; 26 February 1808 – 10 or 11 February 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the…
