Farfurie plată, cu marginea îngustă și evazată spre interior. Pe marginea farfuriei sunt redate trei buchete de trandafiri roșii cu boboci și frunze. Grupurile florale sunt intercalate de trei boboci de trandafir. Decorul central reprezintă un buchet alcătuit dintr-un trandafir mare, înflorit și două fire de boboci de trandafiri. Cromatică: alb, roșu, verde.

Executed in porcelain with a glossy glaze, the design is rendered in painted enamel, allowing the vivid reds and greens to stand out against the white ground. The narrow rim and evanescent inner edge create a subtle depth, characteristic of decorative tableware produced for domestic use in the 19th‑century European tradition.

The plate bears faint alphanumeric markings on its reverse side, likely factory stamps or inventory numbers, though they are illegible. No artist’s signature is present, and the piece is attributed to an unknown maker. Its provenance is limited to museum acquisition records, with no documented ownership prior to that.

Floral ornamentation was a common decorative theme for functional ceramics, especially in the domestic markets of Central and Eastern Europe, where porcelain factories produced richly painted table settings for middle‑class households. The use of roses aligns with contemporary tastes for naturalistic yet stylized motifs.

While the plate’s creator remains unidentified, its preservation illustrates the durability of glazed porcelain and the enduring appeal of floral decoration in everyday objects. The piece contributes to the broader understanding of mass‑produced decorative ceramics and their role in 19th‑century household aesthetics.