Artwork
Staphae, Sive Stapedes (Stirrups, or Foot Rests)

Staphae, Sive Stapedes (Stirrups, or Foot Rests) is an ink print by the Renaissance artist Philip Galle. It dates from 1592 and is held in the collection of the National Gallery of Art.
About this work
Overview
Staphae, Sive Stapedes (Stirrups, or Foot Rests) is an engraving on laid paper created by Dutch publisher and engraver Philip Galle around 1592. The print captures a lively street scene, focusing on the use of early stirrup-like footrests in assisting a rider onto a horse.
Subject & Meaning
The scene conveys a moment of everyday life, highlighting the practicality of the depicted footrests, likely emphasizing their utility in mounting horses. The surrounding activity and reactions of bystanders add a layer of social commentary or observational humor.
Technique & Style
Executed through metal engraving, the print showcases Galle's meticulous craftsmanship, characterized by detailed linework. The composition's complexity, with multiple figures and elements, demonstrates his skill in reproductive engraving techniques.
History & Provenance
Produced in Antwerp during the late 16th century, this work reflects Galle's primary activity as a reproductive engraver, often translating paintings into prints. Specific provenance details for this piece are not provided.
Context
Emerging from the late 16th-century Antwerp art scene, Staphae, Sive Stapedes situates itself within the broader tradition of Dutch printmaking, which frequently depicted daily life and innovative tools of the time.
Legacy
As a representative of Galle's oeuvre, the print contributes to the historical record of printmaking techniques and the dissemination of images during the late Renaissance. Its impact on subsequent depictions of everyday life or equestrian themes is not prominently documented.
Artist & collection
Artist
Philip (or Philips) Galle (1537 – March 1612) was a Dutch publisher, best known for publishing old master prints, which he also produced as designer and engraver. He is especially known for his reproductive engravings of paintings.



















