Artwork
Still a Bowl of Corn, Artichokes, Grapes and a Parrot

Still a Bowl of Corn, Artichokes, Grapes and a Parrot is an oil painting by the Dutch Golden Age artist Jacob van Campen. It dates from 1650 and is held in the collection of the Rijksmuseum.
About this work
Technique & Style
Jacob van Campen's Still a Bowl of Corn, Artichokes, Grapes and a Parrot is an oil-on-panel painting created in 1650.
Jacob van Campen's Still a Bowl of Corn, Artichokes, Grapes and a Parrot is an oil-on-panel painting created in 1650. The work measures 82.7 cm in height and 111.0 cm in width. Executed in the still life genre, the piece utilizes oil paint applied to a rigid wooden panel support, a common medium for Dutch Golden Age compositions of this period. The painting is currently held in the collections of the Rijksmuseum and the Museum Flehite.
History & Provenance
Still a Bowl of Corn, Artichokes, Grapes and a Parrot is dated to 1650 and attributed to the Dutch artist Jacob van Campen, who executed it in oil on panel. The painting entered the collection of the Rijksmuseum in Amsterdam and is also recorded in the holdings of Museum Flehite. No earlier ownership or commission details are provided in the available sources. It is classified as a still life genre painting.
Overview
Jacob van Campen’s oil painting, dated around 1650, presents a modest still‑life arrangement on a darkened window ledge. A muted‑toned parrot perches beside a scalloped bowl brimming with corn, artichokes, and grapes, while a few dried leaves and a single flower complete the composition. The work is part of the Rijksmuseum’s collection.
Subject & Meaning
The tableau juxtaposes natural produce with an exotic bird, inviting contemplation of abundance and the interplay between cultivated and wild. The inclusion of a parrot, a symbol of the far‑off and the rare in the 17th‑century Dutch imagination, adds a subtle narrative layer to the otherwise domestic setting.
Context
During the mid‑17th century, Dutch artists frequently explored still‑life subjects to display skill in rendering texture and light. Van Campen’s composition reflects contemporary interests in exotic specimens, such as parrots, which were increasingly available through trade, and in the detailed representation of everyday foodstuffs.
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