Who painted Johanna le Gillon, Wife of Hieronymus van Beverningk?

Johanna le Gillon, Wife of Hieronymus van Beverningk was painted by Jan de Baen in 1670.

Where can I see Johanna le Gillon, Wife of Hieronymus van Beverningk?

Johanna le Gillon, Wife of Hieronymus van Beverningk is held by Rijksmuseum.

What movement is Johanna le Gillon, Wife of Hieronymus van Beverningk?

Johanna le Gillon, Wife of Hieronymus van Beverningk is associated with Dutch Golden Age.

Can I buy a print of Johanna le Gillon, Wife of Hieronymus van Beverningk?

Museum-quality prints of Johanna le Gillon, Wife of Hieronymus van Beverningk are available made-to-order from Artifact World Gallery.

Artwork

Johanna le Gillon, Wife of Hieronymus van Beverningk

Jan de Baen , 1670

Johanna le Gillon, Wife of Hieronymus van Beverningk is an oil painting by the Dutch Golden Age artist Jan de Baen. It dates from 1670 and is held in the collection of the Rijksmuseum.

About this work

Technique & Style

5 cm in width, a substantial format consistent with full-length or three-quarter-length commemorative portraits of the period.

The portrait is executed in oil paint on canvas, a standard support for seventeenth-century Dutch portraiture. According to the catalogue record, the work measures 156.5 cm in height by 121.5 cm in width, a substantial format consistent with full-length or three-quarter-length commemorative portraits of the period.

As a portrait by Jan de Baen dated 1670, the handling reflects the formal, polished courtly style associated with the artist, who served as portraitist to the Dutch States-General and the House of Orange. The composition is classified as a portrait genre painting and is held in the Rijksmuseum collection.

History & Provenance

Jan de Baen executed this oil-on-canvas portrait of Johanna le Gillon, the wife of Hieronymus van Beverningk, in 1670. The work was commissioned as a formal genre portrait during the Dutch Golden Age. Following its creation, the painting entered the collection of the Rijksmuseum, where it remains part of the permanent holdings.

It is currently displayed in hall 2.19 of the museum. The canvas measures 156.5 cm in height and 121.5 cm in width.

Legacy

The portrait remained in the Rijksmuseum collection and was displayed in hall 2.19, preserving its status as a representative example of 17th-century Dutch portraiture. Its continued presence in a major national museum has contributed to scholarly discussions of de Baen's role in the evolution of portrait conventions, influencing later interpretations of civic and elite representation in Dutch art.

Overview

Johanna le Gillon, Wife of Hieronymus van Beverningk is an oil painting created by Jan de Baen in the 1670s. The work is a portrait of Johanna le Gillon, depicted alongside her husband, within the artistic traditions of the Dutch Golden Age.

Subject & Meaning

The painting portrays Johanna le Gillon in a symbolic setting, holding a small lute, adorned in elaborate attire, and jewelry, conveying her social status. Her husband, Hieronymus van Beverningk, is also present in the scene.

Context

This portrait reflects the Dutch Golden Age's emphasis on individual and familial status through detailed, symbolic portraiture, set against the broader backdrop of 17th-century Dutch artistic innovations.