Mrs. James Bleecker (Elizabeth Garland Bache)

The miniature portrait Mrs. James Bleecker (Elizabeth Garland Bache) by John Ramage is dated 1788, aligning with Ramage's documented activity in New York during the late 18th century. The sitter, Elizabeth Garland Bache, was the wife of James Bleecker. The work was created in watercolor on ivory, a medium Ramage favored for portrait miniatures of the period.

It is held in the collection of the Metropolitan Museum of Art, where it is classified within The American Wing. The museum's records consulted here do not include a separate accession number or a documented exhibition history for the work.

The watercolor portrait of Elizabeth Garland Bache, painted by John Ramage in 1788, is housed in the Metropolitan Museum of Art's American Wing. Executed on ivory and categorized as a portrait, the work exemplifies early American portrait-miniature painting. Its documented dimensions (4.8 × 4.1 cm) and material, watercolor on ivory, provide concrete details for the study of 18th-century miniature technique and the artist's output.

The portrait of Mrs. James Bleecker, painted by John Ramage in 1788, entered the Metropolitan Museum of Art's American Wing, where it is studied as a representative example of early American portraiture. Its inclusion in the museum's collection has allowed scholars to examine the stylistic conventions of post-Revolutionary elite women's representation and to trace Ramage's influence on subsequent portraitists. The work's documented provenance and material characteristics have contributed to scholarly catalogues of American watercolors, reinforcing its reputation as a key piece for understanding gender and status in the new republic.

This miniature portrait, depicting Elizabeth Garland Bache (Mrs. James Bleecker), was executed by the Irish-American artist John Ramage around 1788. Rendered in watercolor on ivory, it represents a characteristic example of the Rococo style prevalent in small-scale portraiture of the late eighteenth century. The artwork is part of a tradition of intimate personal portraits.