Who painted Parody of an Imperial Carriage Scene?

Parody of an Imperial Carriage Scene was painted by Kitagawa Utamaro in 1798.

Where can I see Parody of an Imperial Carriage Scene?

Parody of an Imperial Carriage Scene is held by Cleveland Museum of Art.

What movement is Parody of an Imperial Carriage Scene?

Parody of an Imperial Carriage Scene is associated with Romanticism.

Can I buy a print of Parody of an Imperial Carriage Scene?

Museum-quality prints of Parody of an Imperial Carriage Scene are available made-to-order from Artifact World Gallery.

Artwork

Parody of an Imperial Carriage Scene

Kitagawa Utamaro , 1798

Parody of an Imperial Carriage Scene is a print by the Romanticist artist Kitagawa Utamaro. It dates from 1798 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 1992.74
Credit line: Bequest of Harley C. Lee and Elizabeth K. Lee

About this work

Overview

Parody of an Imperial Carriage Scene, a print by Kitagawa Utamaro circa 1798, is part of The Cleveland Museum of Art's collection. The work depicts three women in a serene outdoor setting under a blooming tree, subverting traditional imperial carriage scenes with humorous intent.

Subject & Meaning

The scene shows three women in flowing robes engaged in intimate, everyday activities: one stands with a fan, another adjusts the hair of a seated companion wearing a distinctive red hat. The absence of a carriage and the focus on mundane interactions satirize the pomp of imperial processions.

Technique & Style

Utamaro employs contrasting scales for visual interest, with sprawling tree branches dominating the space and dwarfing the figures. Intricate details, such as embroidered sleeves and leaf-patterned robes, showcase his attention to texture and design.

History & Provenance

Created around 1798, the print is now housed at The Cleveland Museum of Art, though its history prior to acquisition is not detailed here.

Context

This work reflects Utamaro's tendency to infuse traditional ukiyo-e themes with playfulness, commenting on societal norms through subtle satire.

Legacy

As part of Utamaro's oeuvre, it contributes to the artist's reputation for nuanced, detailed prints that often blended the everyday with subtle social commentary.