Caroline Murat with her daughter Letizia

The portrait was painted in 1807 for Caroline Murat, wife of Napoleon's brother, and initially entered the collection of her father-in-law, Napoleon Bonaparte. It remained in the imperial household before being transferred to the Museum of the History of France at the Palace of Versailles, where it is now held. The work was created by Élisabeth Louise Vigée Le Brun as a commissioned portrait of Caroline Murat and her daughter Letizia, reflecting the Bonaparte family's patronage and the subject's royal connections.

The painting measures 217 cm by 143 cm and is executed in oil on canvas, depicting Caroline Murat alongside her daughter Letizia. It was produced during the Napoleonic era, aligning with the subject's brief reign as Queen of Naples.

The painting is held in the collection of the Museum of the History of France, located within the Palace of Versailles in France. It is cataloged under multiple inventory numbers, including MV 4712, INV 3067, and AC 1944. The work is attributed to the French school and specifically to Élisabeth Louise Vigée Le Brun, who completed the portrait in 1807.

While the piece depicts Caroline Bonaparte, Queen of Naples, and her daughter Letizia, the provided records confirm its current institutional home at the national museums of Versailles and Trianon without detailing specific past exhibition loans or temporary showings.

The 1807 portrait of Caroline Murat with her daughter Letizia demonstrates Vigée Le Brun's mastery of imperial portraiture, blending Neoclassical composition with subtle political symbolism reflective of Bonapartist patronage. Its display at the Palace of Versailles underscores its significance within the broader context of Napoleonic-era art, where familial imagery served both private and propagandistic functions.

Created in 1807, this oil portrait by Élisabeth Louise Vigée Le Brun shows Caroline Murat, sister of Napoleon, together with her young daughter Letizia. The figures stand before a window that opens onto a garden, their elegant attire contrasting with the subdued interior. The work belongs to the collection of the Palace of Versailles and exemplifies the artist’s focus on aristocratic portraiture during the early nineteenth century.