Descent of the Cross

Created around 1500, this panel painting depicting the Descent from the Cross is attributed to Mair von Landshut, with some records also associating Bernhard Strigel. Executed in oil on panel and measuring 42.0 by 25.5 cm, the piece was once in the private collection of Cornelis Hoogendijk.

It subsequently became part of the Dutch national holdings, managed by several successive state institutions including the Stichting Nederlands Kunstbezit, the Rijksdienst Beeldende Kunst, and the Instituut Collectie Nederland. Today the work belongs to the Cultural Heritage Agency of the Netherlands Art Collection and is located at either the Bonnefanten Museum or the Groninger Museum. No inventory number or exhibition history appears in the cited documentation.

The Descent of the Cross, dated to around 1500, stands as a significant example of early 16th-century religious art in the German tradition. Scholarly attribution for the panel painting has historically oscillated between Mair von Landshut and Bernhard Strigel, reflecting the complex workshop dynamics of the period. The work's iconography, depicting the removal of Jesus Christ from the cross alongside figures of men and women, aligns with standard devotional imagery of the era.

Its physical presence in major Dutch collections, including the Bonnefanten Museum and the Groninger Museum, underscores its place within the cultural heritage of the Netherlands. The painting's survival and continued display highlight its value for understanding stylistic exchanges between artists active in the Swabian and Bavarian regions around the turn of the century.

The Descent of the Cross by Mair von Landshut, created circa 1500, is regarded as an important example of early 16th-century German religious painting. Its stature is reflected in the fact that the work is part of the holdings of the Bonnefanten Museum and the Groninger Museum, both of which preserve notable examples of the period's art. The painting, executed in oil on panel and measuring 42 cm by 25.5 cm, exemplifies the technical and thematic concerns of early 16th-century devotional art.

Mair von Landshut's Descent of the Cross, completed in 1500, is an oil painting from the Northern Renaissance. This work, now housed in the Rijksmuseum, portrays the solemn moment when Christ's body is taken down from the cross. The German artist, active in Bavaria, employed oil paint to render this significant religious narrative, characteristic of the period's devotional art.