Artwork
Holy Family with the Mystic Marriage of Saint Catherine
Holy Family with the Mystic Marriage of Saint Catherine is an unspecified painting by the Mannerist artist Maso da San Friano. It dates from 1560 and is held in the collection of the Cleveland Museum of Art.
About this work
History & Provenance
The painting reflects the artistic practice of 16th-century Italian devotional art and remains part of the museum's European paintings department.
The work titled Holy Family with the Mystic Marriage of Saint Catherine was created by Maso da San Friano in 1560 in Italy. It is a religious painting held in the collection of the Cleveland Museum of Art under the accession number 2019.168, reflecting its acquisition in 2019. The painting reflects the artistic practice of 16th-century Italian devotional art and remains part of the museum's European paintings department.
Overview
Maso da San Friano, born Tomaso D'Antonio Manzuoli, completed "Holy Family with the Mystic Marriage of Saint Catherine" in 1560. This painting exemplifies the Mannerist style prevalent in Florence during the mid-16th century. It depicts a sacred narrative, bringing together the Holy Family and Saint Catherine in a tender, devotional scene. The artwork is currently part of the collection at The Cleveland Museum of Art.
Subject & Meaning
The composition centers on the Virgin Mary, who gently supports the infant Jesus. Saint Joseph stands nearby, his hand resting on the child's head, conveying a sense of paternal care. To their left, a young woman with braided hair observes the scene, while a cherub below holds a small cross, hinting at future events. This gathering represents the Mystic Marriage of Saint Catherine, where she symbolically weds Christ.
Technique & Style
Characteristic of its period, the painting employs a palette of warm, rich colors that contribute to its serene atmosphere. Subtle gradations in shading define the forms and create a sense of depth within the intimate grouping of figures. The overall impression is one of quiet devotion, with each participant directing their gaze toward the infant Jesus, a hallmark of religious sentiment in Florentine Mannerism.
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Artist & collection
Artist
Maso da San Friano (1536–1571) was an Italian painter active in Florence. His real name was Tomaso D'Antonio Manzuoli. He was born in San Friano and died in Florence.
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