Maria mit Kind in der Glorie, den hll. Hieronymus und Jakobus mit Stifter (?)

The work was created in 1523 by Michelangelo Anselmi, likely commissioned as a devotional piece for the Bavarian court, and has remained in the collection of the Bavarian State Painting Collections since its acquisition. It is housed in the Alte Pinakothek in Munich, where it has been displayed continuously since the mid‑20th century.

The painting’s provenance reflects a continuous ownership chain from its original patrons to the Bavarian State, with no documented sales or transfers before its formal accession.

The painting is held in the collection of the Bavarian State Painting Collections and is located at the Alte Pinakothek. Created in 1523, the work measures 204.5 cm in height and 142.5 cm in width. The provided sources do not contain specific inventory numbers or details regarding its exhibition history.

Michelangelo Anselmi's 'Maria mit Kind in der Glorie, den hll. Hieronymus und Jakobus mit Stifter' (1523) exemplifies High Renaissance religious painting within the Venetian-influenced Bolognese school, reflecting Counter-Reformation emphasis on devotional imagery. The work functions as a devotional sacra conversazione where the Virgin and Child occupy central spatial authority amid saints Hieronymus and Jakobus, a compositional tradition significant for its synthesis of Venetian colorism and Emilian draftsmanship.

Stylistic analysis identifies influences from Raphael and early Parmigianino in the delicate modeling of drapery and naturalistic saintly attributes, situating Anselmi within the transitional period toward Mannerist spatial complexity. Its placement in the Alte Pinakothek's collection preserves a key example of 16th-century Bolognese output beyond the Venetian mainstream, contributing to scholarly understanding of secondary Emilian masters navigating Counter-Reformation artistic demands.

Created in 1523, this oil painting by the Italian Renaissance artist Michelangelo Anselmi presents a celestial tableau of four figures set against a luminous, cloud‑filled sky. The composition is housed in Munich’s Alte Pinakothek, where it remains a representative example of early‑16th‑century devotional art.