Artwork
Catching Monkeys

Catching Monkeys is an oil painting by the Dutch Golden Age artist Paulus Potter. It dates from 1650 and is held in the collection of the Hermitage Museum.
About this work
Subject & Meaning
The composition centers on these two figures, utilizing the monkey's natural tendency to copy movements to convey a deeper commentary on human nature.
Paulus Potter's 1650 painting, Catching Monkeys, is a genre scene that depicts a man interacting with a monkey. The work explicitly represents the theme of mimicry, using the animal to symbolize human imitation or behavior. By focusing on this specific interaction, the artwork explores the allegorical connection between the animal's actions and human characteristics, a common motif in genre art of the period.
The composition centers on these two figures, utilizing the monkey's natural tendency to copy movements to convey a deeper commentary on human nature.
Technique & Style
Paulus Potter's Catching Monkeys, created in 1650, is an oil painting executed on a panel support. The work measures 17 cm in height and 19.8 cm in width. As a genre scene, the composition depicts a man, a monkey, and a moment of mimicry. The painting is currently held in the collection of the Hermitage Museum.
History & Provenance
The painting Catching Monkeys was created by the Dutch artist Paulus Potter in 1650. Executed in oil paint on a wooden panel, the work measures 17 cm in height and 19.8 cm in width. The piece is currently held in the collection of the Hermitage Museum, where it remains part of the institution's holdings of genre art.
Overview
Created around 1650, Catching Monkeys is an oil painting by Dutch artist Paulus Potter, a figure of the Dutch Golden Age. The work presents a quiet outdoor setting where three monkeys sit beneath a tree, one clutching a metal bowl. The composition is rendered from a low viewpoint, drawing the viewer’s eye toward the animals and the sparse, earthy ground.
Context
Potter is best known for his animal studies, often set within expansive landscapes that are observed from a low angle. This approach aligns with the Dutch Golden Age’s interest in naturalism and the detailed observation of everyday subjects, situating Catching Monkeys within a broader tradition of genre painting that celebrated the ordinary.
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Artist
Paulus Potter (Dutch pronunciation:; 20 November 1625 (baptised) – 17 January 1654 (buried)) was a Dutch painter who specialized in landscapes featuring animals, often from a low vantage point.


















