Who painted Interior of a Peasant House with Two Women?

Interior of a Peasant House with Two Women was painted by Cornelis Ploos van Amstel in 1772.

Where can I see Interior of a Peasant House with Two Women?

Interior of a Peasant House with Two Women is held by National Gallery of Art.

What movement is Interior of a Peasant House with Two Women?

Interior of a Peasant House with Two Women is associated with Romanticism.

Can I buy a print of Interior of a Peasant House with Two Women?

Museum-quality prints of Interior of a Peasant House with Two Women are available made-to-order from Artifact World Gallery.

Artwork

Interior of a Peasant House with Two Women

Cornelis Ploos van Amstel , 1772

Interior of a Peasant House with Two Women is an ink print by the Romanticist artist Cornelis Ploos van Amstel. It dates from 1772 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:upper right in image: C. bega 1654; verso in center in graphite: Geoffererd aan den Eerw Heer J.F. Martinet / door den...C. Ploos v. Amstel / Y; verso along bottom in graphite: C. Bega 165... del C.Pl.V. Amstel fec.
Markings: Marked:verso: artist's mark (Eusman 4)

About this work

Overview

Cornelis Ploos van Amstel’s 1772 print titled Interior of a Peasant House with Two Women depicts a modest domestic space. Executed on laid paper with brown ink, the composition presents a dimly lit room crowded with everyday objects, a bed, a table, a fireplace, and two women engaged in quiet activity.

Subject & Meaning

The scene focuses on two women of humble means: one seated at a table, the other on a chair holding an unidentified object. Their simple garments and the cluttered surroundings convey the routine hardships of rural life, offering a candid glimpse into 18th‑century peasant domesticity.

Technique & Style

The image combines etching, roulette, and mezzotint processes, with selective burnishing to achieve tonal variation. The brown ink applied to the textured laid paper creates a warm, earthy palette, while the mezzotint areas provide soft gradations of shadow that enhance the sense of dim interior lighting.

History & Provenance

Created in 1772, the print is part of Ploos van Amstel’s broader interest in documenting everyday scenes. It survives in several museum collections, where it is catalogued as an example of Dutch printmaking that bridges the detailed observation of the Enlightenment with the emerging sentiment toward ordinary subjects.