Artwork

Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?)

Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?), by Unknown, unspecified, 1512
Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?), by Unknown, unspecified, 1512

Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?) is an unspecified painting by the Northern Renaissance artist Unknown. It dates from 1512 and is held in the collection of the National Museum in Kraków. Rodzina Panny Marii is a tri-sectional painting depicting the Holy Family and saints.

About this work

Overview

Rodzina Panny Marii is a tri-sectional painting depicting the Holy Family and saints. The central panel features the Virgin Mary in red, holding the infant Jesus, flanked by Joachim (left, brown beard, green robe) and Joseph (right, white beard, red hat). The outer sections show additional saints, identified as Saints Sebastian, Catherine, Barbara, and possibly Edmund.

Subject & Meaning

The painting illustrates the Holy Family's lineage and saintly associations, emphasizing devotion and religious heritage. The depicted figures are likely intended for veneration and storytelling within a religious context.

Technique & Style

The artist employed a formal, stiff pose for the figures, with frontal gazes. A warm, golden background complements the vibrant, symbolic colors of the robes (e.g., Mary's red dress). The composition achieves depth and harmony through careful arrangement of the groups.

History & Provenance

Originating from the vicinity of Iwonicz, this work was part of a retabulum (altar retable) predella. Specific artist attribution and exact date are not provided, reflecting limited provenance details in the available information.

Context

Created for a religious setting, likely a church near Iwonicz, the painting served devotional purposes, possibly in a wooden altar setup. Its style suggests a traditional, possibly regional, artistic approach prevalent at the time.

Legacy

As a component of a larger altar piece, its legacy is tied to the religious art of its region. While not individually renowned, it contributes to the understanding of local religious art traditions and the veneration of saints in the area.

Madonna of humility
Madonna of humility, Sano di Pietro

Artist & collection

Artist

Unknown

entity whose identity is not known

Frequently asked questions

Who painted Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?)?

Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?) was painted by Unknown in 1512.

Where can I see Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?)?

Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?) is held by National Museum in Kraków.

What movement is Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?)?

Rodzina Panny Marii (śś. Anna Samotrzeć, Joachim i Józef) ze śś. Edmundem (?), Sebastianem, Katarzyną i Barbarą (?). Predella retabulum ołtarzowego z okolic Iwonicza (?) is associated with Northern Renaissance.