Who painted Le Feu (Fire)?

Le Feu (Fire) was painted by Gilles Rousselet in 1648.

Where can I see Le Feu (Fire)?

Le Feu (Fire) is held by National Gallery of Art.

What movement is Le Feu (Fire)?

Le Feu (Fire) is associated with Baroque.

Can I buy a print of Le Feu (Fire)?

Museum-quality prints of Le Feu (Fire) are available made-to-order from Artifact World Gallery.

Artwork

Le Feu (Fire)

Gilles Rousselet , 1648

Le Feu (Fire) is an ink print by the Baroque artist Gilles Rousselet. It dates from 1648 and is held in the collection of the National Gallery of Art. Le Feu, an engraving executed on laid paper in 1648, presents a domestic interior rendered in monochrome.

Inscription: Inscribed:lower center in plate: LE FEV; Dnas la terre est la centre, ou le fonds e cemonde... /...Il est tousiours vain queur, tout luy sect de Pasture; lower left in plate: deisgn par Huret grave par ; loer right de limpression de Mariette Avec privilege

About this work

Overview

Le Feu, an engraving executed on laid paper in 1648, presents a domestic interior rendered in monochrome. The composition centers on a woman dressed in a high‑necked, long gown with ruffled sleeves, holding a small bundle of sticks in one hand and a cloth in the other. A modest fireplace, a pot on its hearth, and a nearby chair complete the setting, suggesting a quiet, utilitarian space.

Subject & Meaning

The figure appears to be preparing fire, a task that underscores both the practical necessity and the latent hazard of flame in 17th‑century households. French text surrounding the image alludes to the dual nature of fire, reinforcing the theme of its constructive and destructive potentials within everyday life.

Technique & Style

Gilles Rousselet employed fine line engraving to achieve a delicate modeling of fabric, hair, and architectural elements. The use of laid paper contributes a subtle texture, while cross‑hatching in the background creates tonal depth, allowing the scene to recede and the central figure to emerge with clarity.

History & Provenance

Created in 1648, the print is attributed to the French engraver Gilles Rousselet, known for his work after contemporary painters. Though specific ownership records are scarce, the piece survives in several museum collections, illustrating the continued interest in Rousselet’s contributions to the French printmaking tradition.