Artwork
Untitled

Untitled is an ink painting by the Baroque artist Sō Shizan. It dates from 1766 and is held in the collection of the Metropolitan Museum of Art.
About this work
Subject & Meaning
Sō Shizan's 1766 hanging scroll, titled Untitled, depicts a natural scene featuring fish and flowers.
Sō Shizan's 1766 hanging scroll, titled Untitled, depicts a natural scene featuring fish and flowers. Executed in ink and color on silk, the work falls within the landscape genre, integrating these specific biological subjects into a broader environmental composition. The painting presents these elements as the primary visual focus, offering a representation of aquatic and floral life typical of the artist's output in Japan during the eighteenth century.
Technique & Style
Created in 1766, this hanging scroll by Sō Shizan is executed in ink and color on a silk support. The work is classified as a landscape painting that formally depicts flowers and fish. The medium combines traditional ink wash techniques with applied color to render these natural subjects on the textile surface.
History & Provenance
Untitled is a hanging scroll painted in 1766 by the Japanese artist Sō Shizan, executed in ink and color on silk and depicting a fish alongside a flower. Created in Japan, it is held by the Metropolitan Museum of Art in New York. No accession or inventory number is specified in the available sources, and no exhibition history is documented for the piece.
Context
Untitled is a 1766 hanging scroll painted in ink and color on silk by the Japanese artist Sō Shizan. The work belongs to the landscape genre and portrays a fish and a flower, subjects documented in both the artist's catalogue and the Metropolitan Museum of Art's record.
Its inclusion in the Metropolitan Museum of Art's collection and its classification as a landscape painting situate the work within the broader trajectory of Japanese painting in the eighteenth century, highlighting the artist's engagement with natural motifs.
Overview
Sō Shizan created this untitled hanging scroll in 1766, utilizing ink and color on silk. The painting presents a dynamic landscape scene, focusing on a single fish and a prominent flower. This work exemplifies a traditional format for East Asian painting, showcasing the artist's approach to natural imagery within a vertical composition.
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