Untitled

Untitled is a woodblock print created by Suzuki Harunobu in 1750, classified within the ukiyo-e tradition as a bijin-ga. It depicts a woman holding a love letter, surrounded by symbols including a pine tree, basket, broom and cattle. The print belongs to the collection of the Metropolitan Museum of Art, where it forms part of the museum's ukiyo-e holdings.

The available sources do not record a reliable accession number or any documented exhibition history for the work.

The work is associated with Harunobu's full-color nishiki-e production and the vibrant print culture of mid-eighteenth-century Edo. Its compositional refinement and the subtle narrative layering of the depicted domestic scene place it within the bijin-ga tradition of depicting beautiful women. The piece is held in the collection of the Metropolitan Museum of Art, affirming its institutional relevance and scholarly attention.

Suzuki Harunobu's Untitled woodblock print, depicting a woman with a love letter amid symbols such as a basket, broom, pine tree, and cattle, belongs to the bijin-ga genre within ukiyo-e. Its compositional clarity and emblematic motifs are characteristic of the domestic and romantic imagery that defined Edo-period print culture. The work is held in the Metropolitan Museum of Art collection, underscoring its recognized significance within major institutional holdings.

Created around 1750, this woodblock print by Suzuki Harunobu presents a quiet domestic scene. A woman in a light‑coloured kimono rests against a pine tree, clutching a woven basket while a diminutive cow grazes nearby. The composition also includes a broom, suggesting everyday household activity within a natural setting.