南宋 佚名 春山曛暮圖 團扇|Early spring landscape

Created in the mid-thirteenth century during the Southern Song dynasty, this landscape fan painting is attributed to an unknown artist. The work, executed in ink and colour on silk, depicts a scene featuring trees and was originally fashioned as a round fan before being remounted as an album leaf. It measures 24.8 cm in height and 26 cm in width.

While the specific commissioning patron remains unidentified, the piece is currently held within the collection of the Metropolitan Museum of Art. The artwork originates from China and represents the landscape genre of its era.

Created around 1250, the Early Spring Landscape fan leaf stands as a significant example of anonymous Southern Song dynasty landscape painting. Housed in the collection of the Metropolitan Museum of Art, this work exemplifies the period's mastery of silk-based ink and colour techniques within a compact format. Although the specific artist remains unidentified, the piece reflects the broader artistic achievements of 13th-century China, where landscape imagery often emphasised atmospheric depth and naturalistic detail.

The painting's attribution to the Southern Song era places it within a critical transitional phase of Chinese art history, characterised by refined brushwork and a focus on intimate, poetic vistas. Its preservation as a mounted album leaf highlights the historical practice of repurposing fan paintings for scholarly albums.

This artwork, titled Early Spring Landscape, originates from China's Southern Song dynasty (1127

1279). Created by an unknown artist, it was originally a circular fan that has since been mounted as an album leaf. The painting employs ink and subtle colors on a silk ground, depicting a tranquil natural scene. Its age and cultural origin contribute to its significance as an example of early Chinese landscape painting.