Who painted Devagandhari Ragini?

Devagandhari Ragini was painted by Unknown in 1680.

Where can I see Devagandhari Ragini?

Devagandhari Ragini is held by Victoria and Albert Museum.

What movement is Devagandhari Ragini?

Devagandhari Ragini is associated with Baroque.

Artwork

Devagandhari Ragini

Unknown , 1680

Devagandhari Ragini is a paint painting by the Baroque artist Unknown. It dates from 1680 and is held in the collection of the Victoria and Albert Museum. Created in 1680, this opaque watercolor on paper depicts a contemplative Sadhu seated within a modest chamber.

About this work

Overview

Created in 1680, this opaque watercolor on paper depicts a contemplative Sadhu seated within a modest chamber. Outside, a hare moves through grass, while an angel descends from above, offering food. The composition belongs to a Ragamala series that visualizes the Devagandhari musical mode, and it is linked to a companion piece catalogued as IS.64-1952.

Subject & Meaning

The central figure, a white‑clad Sadhu with a red sash, is positioned cross‑legged on a yellow mat, suggesting meditation or spiritual instruction. The hare and the descending angel introduce elements of nature and divine providence, reinforcing themes of harmony between the earthly and the celestial within the ragamala tradition.

Technique & Style

Executed in opaque watercolor, the artist employs a vivid palette of reds, yellows, and greens to delineate interior space and surrounding landscape. Fine brushwork renders intricate patterns on the walls and the floral border, while contrasting hues create depth, especially in the green foliage and bird‑filled background.

History & Provenance

The work forms part of a larger Ragamala collection that visually interprets Indian musical modes. It is recorded alongside a related painting (IS.64-1952) within the same series, indicating a systematic approach to illustrating each raga’s emotional and visual associations.

Context

Ragamala paintings emerged in the 16th–18th centuries as visual companions to classical Indian music, assigning each raga a narrative scene. Devagandhari, a mode associated with devotion and serenity, is represented here through the meditative Sadhu and the gentle natural motifs.