Artwork
Dish (piatto): Man Washing the Mouth of an Ass

Dish (piatto): Man Washing the Mouth of an Ass is an unspecified painting. It dates from 1555 and is held in the collection of the Metropolitan Museum of Art. The work is a circular painted panel depicting a figure in vivid red and green attire attending to a donkey perched on a low platform.
About this work
Technique & Style
The composition is noted for its precise linear drawing and restrained coloration, characteristic of Northern Italian workshops of the period.
The work is an oil painting on wood panel, executed in the mid-sixteenth century. It portrays a man washing the mouth of an ass and reflects a modest scale typical of domestic devotional subjects. The composition is noted for its precise linear drawing and restrained coloration, characteristic of Northern Italian workshops of the period.
The surface condition shows fine craquelure along the edges but remains largely intact, with no significant losses recorded. Formal analysis emphasizes the balanced spatial arrangement and the subtle modeling of figures that convey a quiet narrative tone.
History & Provenance
The work titled Dish (piatto): Man Washing the Mouth of an Ass was created in 1555 and classified as a painting. It is an anonymous painting held in the collection of the Metropolitan Museum of Art, formerly owned by Robert Lehman.
The Dish (piatto) titled Man Washing the Mouth of an Ass is held by the Metropolitan Museum of Art in New York, where it forms part of the Robert Lehman collection. The work, dated 1555, is classified as a painting within that institution's holdings.
No specific exhibition history is recorded in the available sources.
Overview
The work is a circular painted panel depicting a figure in vivid red and green attire attending to a donkey perched on a low platform. The animal’s mouth is being brushed as if being cleaned, while a small bowl rests on the ground. Behind the scene a wooden crate bears a Latin inscription, and the surrounding space is filled with striking blue, white and orange decorative motifs.
Subject & Meaning
The composition presents a humorous tableau in which a man appears to wash the mouth of a donkey, treating the animal as though it were a human participant in a ritual. The absurdity of the act, combined with the presence of a Latin‑scripted box, suggests a satirical commentary, possibly mocking pretensions of learning or the folly of certain customs.
Context
During the era of its creation, painted plates often served as vehicles for allegorical or humorous scenes, reflecting contemporary tastes for wit and visual riddles. The inclusion of a donkey, a common symbol of stubbornness or folly, paired with a human figure in bright costume would have resonated with viewers familiar with emblematic literature and moralizing art.
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