Artwork
Landscape
Landscape is an unspecified painting. It dates from 1626 and is held in the collection of the Cleveland Museum of Art.
About this work
History & Provenance
The object entered the museum in 1998 and has remained in the institution's care; no exhibition records are noted in the available documentation.
The painting titled Landscape is attributed to the Chinese artist Shao Gao, who lived approximately from 1595 to 1643. The work was created in 1626. It is currently held in the collection of the Cleveland Museum of Art, where it is cataloged under the accession number 1998.95. The piece is classified as a landscape painting.
The painting titled Landscape, dated 1626, is part of the Cleveland Museum of Art's collection, accession number 1998.95. It is catalogued as a work by an unknown artist within the museum's painting holdings and is classified as a landscape. The work is recorded as a landscape painting and its creation date is documented as 1626.
The object entered the museum in 1998 and has remained in the institution's care; no exhibition records are noted in the available documentation.
Overview
This painting, titled Landscape, presents an expansive view of a mountainous terrain. A river meanders through rocky formations, while sparse, leafless trees punctuate the scene. Small structures are visible on the slopes, integrating human presence into the vast natural setting.
The composition is unified by a subdued palette of browns and grays, subtly accented by distant greens and blues.
Subject & Meaning
The artwork depicts a dramatic natural environment, characterized by towering mountains and a flowing river that carves its path through the rugged topography. The inclusion of isolated buildings and bare trees suggests a contemplative engagement with nature, possibly reflecting human solitude or resilience within a grander scale. A calligraphic inscription along the left edge likely serves to deepen the narrative or thematic content, perhaps offering a poetic commentary on the depicted scene.
Technique & Style
The artist employed a restrained color scheme, predominantly using earthy browns and grays to render the rocky hills and general landscape. Subtle touches of green and blue in the background introduce a sense of atmospheric depth and distance. A distinctive calligraphic text, carefully inscribed along the left side of the composition, integrates written word as a significant visual and conceptual component of the painting.
Artist & collection
- Landscape
Travellers Among Mountains
The Gathering at the Orchid Pavilion
青木木米筆 山中喫茶図扇面|Preparing Tea by a Mountain Gorge
明 吳彬 翠壁丹楓 扇|Azure Cliff with Red Maples
Untitled
清 王時敏 倣黃子久筆意山水 扇頁|Landscape after Huang Gongwang
Snowy Landscape (Sekkei sansui zu)
明 陳祼 茂樹清泉圖 扇|Recluse washing his feet in a stream
明 佚名 倣唐寅 溪山雪徑 扇|Winter Landscape
明 陳洪綬 山水圖 扇|Landscape
清 吳熙載 杏花 扇面|Apricot