Artwork
Roundel with the Virgin and Child
Roundel with the Virgin and Child is an unspecified painting. It dates from 1493 and is held in the collection of the Metropolitan Museum of Art.
About this work
Subject & Meaning
As a work of religious art, the piece serves as a devotional object intended to inspire contemplation of these sacred figures.
Created in 1485, this roundel presents a religious scene depicting the Madonna and Child. The composition focuses entirely on the Virgin Mary holding the infant Jesus, a central motif in Christian iconography that emphasizes maternal devotion and the humanity of Christ. As a work of religious art, the piece serves as a devotional object intended to inspire contemplation of these sacred figures.
The circular format, known as a tondo, was a popular choice for such domestic or private religious imagery during the late fifteenth century, framing the holy pair in a shape often associated with harmony and eternity.
History & Provenance
The work known as Roundel with the Virgin and Child is an anonymous devotional painting executed circa 1485. It portrays the Madonna and Child in a format typical of late‑15th‑century religious art and was likely produced for private contemplation. The piece entered the collection of the Metropolitan Museum of Art, where it remains on display in the museum’s galleries.
Its creation is documented by an inception date of 1485‑00‑00, and the work is classified as a painting within the religious genre. No further record of earlier owners is provided, indicating that its provenance is limited to its acquisition by the museum.
Overview
This circular painting, titled Roundel with the Virgin and Child, depicts a central religious scene. It features a crowned female figure cradling an infant, a common representation in Christian art. The composition is characterized by a radiant background and the presence of a smaller celestial attendant, emphasizing the sacred nature of the primary figures. The use of gold highlights the divine aspect of the scene.
Technique & Style
The painting's circular format frames a composition dominated by a pale background from which golden rays emanate, creating a sunburst effect around the main figures. The artist employs a simplified rendering for the Virgin's face, characterized by large eyes and a serene expression, contributing to a sense of spiritual calm. The prominent use of gold paint for the wings and background elements provides a striking contrast and emphasizes the celestial light.
Artist & collection
