The Adoration of the Magi

Created in 1520, this religious painting is executed in oil paint on a panel support. The work, attributed to the Workshop of Gerard David, measures 69.2 cm in height and 72.1 cm in width. As a panel painting, the medium combines the durability of wood with the rich tonal capabilities of oil pigments, characteristic of Northern Renaissance workshop production.

The composition depicts the Adoration of the Magi, featuring the Christ Child, the Virgin Mary, Joseph, and a dog, rendered with the formal qualities expected of the period's devotional art. The piece is currently held in the collection of the Metropolitan Museum of Art, where its physical dimensions and material construction remain consistent with early 16th-century Flemish painting practices.

Created in 1520, this oil painting on panel is attributed to the Workshop of Gerard David. The work depicts the religious subject of the Adoration of the Magi, featuring figures such as the Christ Child, Mary, Joseph, and a dog. Measuring 69.2 by 72.1 centimeters, the piece was produced during the early sixteenth century.

It currently resides in the collection of the Metropolitan Museum of Art, where it is maintained as part of their holdings of religious art. No specific details regarding the original commissioner or the intermediate ownership chain prior to its arrival at the museum are provided in the available records, though its inception is firmly dated to the year 1520.

The Adoration of the Magi, a painting attributed to the Workshop of Gerard David and dated to 1520, is held in the collection of the Metropolitan Museum of Art. The work, executed in oil paint on panel, measures 69.2 cm in height and 72.1 cm in width. While the sources confirm its current location and physical dimensions within the museum's holdings, they do not provide a specific inventory or accession number, nor do they detail any past or future exhibition history for this specific object.

The Adoration of the Magi is an oil painting that captures a significant moment from the Christian narrative. It depicts a distinguished group of visitors presenting offerings to an infant held by a woman, a scene frequently rendered in art history. The work utilizes oil paint, allowing for a depth of color and detail that characterizes the composition. This painting captures a moment of reverence and presentation.