The parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot)
1560
unspecified
From the collection of Cleveland Museum of Art
1560
unspecified
From the collection of Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot) is a 1560 unspecified by Unknown, a Mughal Painting work, held at Cleveland Museum of Art.
You see a woman in a bright red dress sitting on the floor, listening to a green parrot perched on a stand. The room is small, with patterned carpets and a window letting in soft light. This painting is from a book of stories told by a parrot to delay a woman’s secret meeting. The parrot’s tales are so long that dawn breaks before she can leave. The details—like the woman’s jewelry and the parrot’s feathers—are painted with tiny, careful brushstrokes. If you like this, look up *Mughal India, court of Akbar (reigned 1556–1605)*.
Before Khujasta can leave for a clandestine meeting with her lover, she is stopped by Tuti the parrot who begins to tell her the story of a group of small animals who joined together to overcome an elephant. By the time the parrot’s tale is over, the sun has risen and Khujasta is unable to leave.
A golden mirror lies on Khujasta’s bed.
Read the full account in the museum source.
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