Provenance · Acquisition fund
Norman O. Stone and Ella A. Stone Memorial
This catalog gathers 75 public-domain works acquired through the Norman O. Stone and Ella A. Stone Memorial fund. Every work is held by Cleveland Museum of Art.
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Radha and Krishna Embracing, Leaf from a Gita Govinda -
The Life of Buckingham -
Rishyashringa addresses the courtesans, from the "Shangri" Ramayana -
June (recto) -
Zhong Kui Supported by Ghosts -
Rain-coming Pavilion by the Stone Bridge at Mt. Tiantai -
The Bird's Nest Patriarch -
Portrait of the Artist's Children Emma and Paul -
Saint Sebastian -
Two Gentlemen (verso) -
Duel after the Masked Ball (recto); Head of a Woman (verso) -
Portrait of William Murray, Earl of Mansfield (1705-1793) -
Duel after the Masked Ball (recto) -
Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto) -
Study for “In the Woods, Evening” -
The Verification of the True Cross -
Study for The Siege of Gibraltar -
A Monk Preaching -
Head of a Woman (verso) -
A Woman Doing Laundry in an Ice Hole (recto); Two Gentlemen (verso) -
Traunstein River on the Road to Empfig, Bavaria -
Design for a Standing Dish -
The Falconer -
Boy with Anchor -
A Woman Doing Laundry in an Ice Hole (recto) -
Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto); Architectural Drawing of Columns (verso) -
Design for a Fresco of the Tomb of Vincenzo Martinelli (1737-1807) in the Certosa of Bologna -
Study for the 'Essequie' Conducted in San Lorenzo, Florence, in 1637 in Honour of Holy Roman Emperor Ferdinand II -
Jupiter (in the guise of Diana) and Callisto -
Drapery Study; Two Figures Pulling a Pole -
Architectural Drawing of Columns (verso) -
The Rauschberg -
A Hussar Officer on Horseback -
Portrait of the Artist's Children Emma and Paul (box) -
Pathway in the Forest of Fontainebleau -
Doorway to Sèvres Factory -
Untitled (Farm Animals) -
Cleveland -
Behind the Troglodyte Farm -
General View of Monuments Carved into Bedrock with Photographer's Dahabieh. Abu Simbel -
Mosque, Madras -
Temple of Abu Simbel -
Untitled (Place des Cordeliers) -
Scolopendrium Vulgare -
Rue du Regard -
The Sphinx -
The Long Road or Argilla Road -
The Last Supper -
Cupid and Psyche -
The Siege of La Rochelle: Plate 5 -
Death on the Battlefield -
Augustus and the Tiburtine Sibyl -
The Siege of La Rochelle: Plate 13 -
The Siege of La Rochelle: Plate 3 -
The Siege of La Rochelle: Plate 7 -
The Siege of La Rochelle: Plate 16 -
The Laundresses -
The Siege of La Rochelle: Plate 14 -
Mother and Child -
The Siege of La Rochelle: Plate 12 -
The Siege of La Rochelle: Plate 9 -
Landscape with Tharandt Castle Ruins -
The Siege of La Rochelle: Plate 6 -
The Large Passion: Christ Descending into Limbo -
The Temptation of Eve -
The Siege of La Rochelle: Plate 4 -
The Siege of La Rochelle -
The Siege of La Rochelle: Plate 15 -
The Siege of La Rochelle: Plate 10 -
The Passion: Christ in Limbo -
The Siege of La Rochelle: Plate 1 -
Abraham Francen, Apothecary -
The Holy Family (La Perla) (after Raphael) -
The Siege of La Rochelle: Plate 11 -
Study of a Woman Seen from the Back
On provenance & the public domain
A credit line — the small "Acquisition fund of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.