Artwork
The Healing of Tobit
The Healing of Tobit is an oil painting by the Early Baroque Italian artist Bernardo Strozzi. It dates from 1625 and is held in the collection of the Cleveland Museum of Art.
About this work
History & Provenance
The work is catalogued as a religious painting within the museum's holdings, consistent with its subject matter of the biblical narrative of Tobit's healing.
Bernardo Strozzi created the oil-on-panel painting The Healing of Tobit in 1625 within Italy. The work is currently held in the collection of the Cleveland Museum of Art, where it is cataloged under the accession number 1993.5. While the specific commission details and original ownership chain prior to the museum's acquisition are not detailed in the available records, the piece remains a documented example of Strozzi's religious output from the mid-1620s.
The Healing of Tobit by Bernardo Strozzi is held in the collection of the Cleveland Museum of Art, where it is recorded under inventory number 1993.5. The painting, executed in oil on panel in 1625, entered the museum's holdings as part of its permanent collection and remains housed there. Beyond its acquisition, no specific exhibition history is documented in the available sources.
The work is catalogued as a religious painting within the museum's holdings, consistent with its subject matter of the biblical narrative of Tobit's healing.
Overview
Bernardo Strozzi, also known as il Cappuccino, completed The Healing of Tobit in 1625. This oil painting exemplifies the early Italian Baroque movement through its depiction of a significant religious narrative. The artist, active in both Genoa and Venice, was a prominent figure in the period's artistic landscape, known for his diverse output.
Subject & Meaning
The painting portrays an elderly man, presumably Tobit, reclining with closed eyes, surrounded by celestial beings. Two winged figures, likely angels, attend to him: one gently touches his brow while the other holds a small vessel. A third individual observes the scene, which unfolds indoors under soft illumination against a dark backdrop. The man's serene demeanor conveys a sense of spiritual intervention and restoration.
Technique & Style
Strozzi employed characteristic early Baroque techniques to enhance the painting's emotional impact. He utilized strong contrasts between light and shadow, known as chiaroscuro, to create a sense of depth and volume for the figures. This dramatic lighting not only emphasizes the central action but also contributes to the intense, spiritual atmosphere of the healing miracle.
Context
Bernardo Strozzi was a versatile Italian Baroque artist, recognized for his work as both a painter and engraver. His career spanned two major artistic centers, Genoa and later Venice, where he contributed significantly to the local art scenes. Strozzi's diverse oeuvre encompassed a wide range of subjects, including historical and allegorical narratives, genre scenes, portraits, and still lifes.
Legacy
Strozzi's artistic contributions left a lasting mark on both Genoa and Venice. He is particularly recognized for his pivotal role in establishing the Baroque aesthetic within Venetian painting. His innovative approach helped shape the stylistic trajectory of the movement in the region, influencing subsequent generations of artists and solidifying his position as a key figure in its development.
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Artist
Bernardo Strozzi, named il Cappuccino and il Prete Genovese (c. 1581 – 2 August 1644), was an Italian Baroque artist who was a painter and engraver. A canvas and fresco artist, his wide subject range included history,…
