Artwork
The Morning
The Morning is a print by the Impressionist artist Charles-Émile Jacque. It dates from 1864 and is held in the collection of the Cleveland Museum of Art.
- Accession no.
- 1921.1472
- Credit line
- Gift of Leonard C. Hanna Jr.
About this work
Overview
The Morning, a print created by Charles-Émile Jacque in 1864, is a representation of a serene rural scene at dawn, featuring a lone rider on horseback along a quiet road.
Subject & Meaning
The piece captures the tranquility of early morning in a rural setting, emphasizing solitude and the gradual awakening of nature as light breaks through the dark sky.
Technique & Style
Jacque employed shading techniques, reminiscent of his background in engraving, to achieve depth and contrast, making the rider and horse prominent against a softer, more subdued background.
History & Provenance
Created in 1864, The Morning is now part of the Cleveland Museum of Art's collection, reflecting Jacque's association with the Barbizon School's focus on rural landscapes.
Context
Aligning with Barbizon School principles, Jacque's work shares thematic similarities with Jean-François Millet, focusing on the beauty and simplicity of rural life and landscapes.
Legacy
While specific legacy details of The Morning are not highlighted, it contributes to Jacque's overall body of work that showcases his unique blend of engraving precision and Barbizon School aesthetics.
Own this work as a print
Artist & collection
Artist
Charles-Émile Jacque (23 May 1813 – 7 May 1894) was a French painter of Pastoralism and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army.
Return from the Fields
Landscape, Evening (Returning Home)
The Hamlet
Chemin des Roches
Les Anes de La Butte-aux-Cailles (Donkeys at La Butte-aux-Cailles)
Le Maison du charron
Evening Landscape (Return to the Lodgings)
La rentrée du troupeau (The Return of the Flock)
Landscape, Labourers
Springtime (Le Printemps)
Morning
Winter