Who painted Portrait of Count Georg Wilhelm Werthern?

Portrait of Count Georg Wilhelm Werthern was painted by Ádám Mányoki in 1719.

Where can I see Portrait of Count Georg Wilhelm Werthern?

Portrait of Count Georg Wilhelm Werthern is held by Hungarian National Gallery.

What movement is Portrait of Count Georg Wilhelm Werthern?

Portrait of Count Georg Wilhelm Werthern is associated with Rococo painting.

Artwork

Portrait of Count Georg Wilhelm Werthern

Ádám Mányoki , 1719

Portrait of Count Georg Wilhelm Werthern is an oil painting by the Rococo painting artist Ádám Mányoki. It dates from 1719 and is held in the collection of the Hungarian National Gallery.

About this work

The artist's use of oil paint and the level of detail in the subject's clothing and accessories indicate a high level of skill and attention to detail.

This portrait depicts a man with a serious expression, dressed in a red robe with a fur-trimmed collar. He wears a white wig and has a metal breastplate on his left shoulder. The background is dark, with a hint of blue in the upper right corner.

The man's attire and the style of the painting suggest a formal portrait from the early 18th century. The artist's use of oil paint and the level of detail in the subject's clothing and accessories indicate a high level of skill and attention to detail.

If you're interested in learning more about the artist behind this portrait, you might want to look up Ádám Mányoki.

Overview

Painted in 1719 by the Hungarian court painter Ádám Mányoki, the Portrait of Count Georg Wilhelm Werthern captures the sitter in a formal, three-quarter view against a dark, atmospheric background. The composition emphasizes the subject's aristocratic status through his attire: a rich red robe with a fur-trimmed collar worn over a gleaming metal breastplate on the left shoulder, signifying his military rank. A white periwig frames his face, which bears a serious, composed expression characteristic of early 18th-century aristocratic portraiture.

Mányoki, who served as a court painter to Augustus the Strong of Saxony, employs a refined Baroque style that balances realistic detail in the textures of the fur and metal with a soft, painterly handling of the face and hands. The work exemplifies Mányoki's ability to convey both the dignity and the martial identity of the Saxon nobility during his tenure in Dresden. The subtle hint of blue in the upper right corner provides a cool contrast to the warm tones of the robe, enhancing the three-dimensionality of the figure.

This portrait stands as a significant example of Mányoki's portraiture from his mature period, reflecting the cross-cultural artistic exchanges within the Holy Roman Empire.

Subject & Meaning

The sitter is shown with a solemn expression, dressed in a red robe trimmed with fur and a white wig, while a metal breastplate rests on his left shoulder. The attire and accessories convey his aristocratic status and possibly a military affiliation, reflecting the conventions of early‑18th‑century portraiture.

Technique & Style

Executed in oil on canvas, the painting demonstrates Mányoki’s meticulous handling of texture, from the sheen of the fabric to the reflective metal of the breastplate. The chiaroscuro lighting creates a three‑dimensional effect, emphasizing the figure against the muted background.

History & Provenance

Created in 1719, the portrait entered the Museum of Fine Arts, Budapest, where it remains on display. Its provenance traces back to the count’s family collection before being acquired by the museum, though specific acquisition details are not recorded in the available sources.