Artwork

Réception d'un franc-maçon

Réception d'un franc-maçon, by Honoré Daumier, ink, 1846
Réception d'un franc-maçon, by Honoré Daumier, ink, 1846

Réception d'un franc-maçon is an ink print by the Romanticist artist Honoré Daumier. It dates from 1846 and is held in the collection of the National Gallery of Art.

About this work

Overview

Honoré Daumier’s 1846 lithograph Réception d’un franc‑maçon captures a brief, staged encounter within a Masonic setting. Rendered in the artist’s familiar satirical tone, the image juxtaposes a composed seated figure with a restless, gesturing companion, highlighting the contrast between ritual solemnity and individual agitation.

Subject & Meaning

The print portrays a moment of initiation or reception in a Freemason lodge, using exaggerated posture and expression to question the secrecy and performative aspects of such societies. By emphasizing the nervous gestures of one participant against the calm demeanor of the other, Daumier subtly critiques the pretensions of fraternal orders within mid‑nineteenth‑century French civic life.

Technique & Style

Executed as a lithograph, the work relies on bold, sketch‑like lines and a limited tonal range to convey atmosphere. Daumier’s characteristic use of loose, energetic strokes imparts immediacy, while the dim, indistinct background suggests a smoky interior, reinforcing the clandestine mood of the scene.

History & Provenance

Created during Daumier’s prolific period of political and social caricature, the lithograph was likely circulated among the satirical journals that featured his work, such as La Caricature and Le Charivari. Its survival in museum collections reflects the broader interest in Daumier’s commentary on French institutions and the role of print media in disseminating dissent.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.