Artwork
William Yelverton Davenport

William Yelverton Davenport is an oil painting by the Rococo painting artist Thomas Gainsborough. It dates from 1786 and is held in the collection of the National Gallery of Art.
About this work
Technique & Style
Thomas Gainsborough created the piece in 1786, and it is now held in the National Gallery of Art, Washington, D.
The work is a painting classified as a portrait, executed in oil paint on a canvas support. The canvas measures approximately 127.3 cm in height and 101.9 cm in width. Thomas Gainsborough created the piece in 1786, and it is now held in the National Gallery of Art, Washington, D.C. The sources provide no further information about the artist’s handling technique, the painting’s current condition, or specific stylistic characteristics beyond its medium and format.
History & Provenance
Thomas Gainsborough executed this oil on canvas portrait in 1786, originally commissioning it for the sitter, William Yelverton Davenport, at Davenport House in Worfield, Shropshire. The work remained within the Davenport family by descent until 1890, when it passed to Mrs. Cuthbert Leicester-Warren. It subsequently entered the commercial market through M. Knoedler & Co. and John Levy Galleries in New York before being acquired by Benjamin Franklin Jones, Jr. of Sewickley Heights, Pennsylvania, by 1925.
Following Jones's death, his wife inherited the painting and lent it to a 1925 exhibition in Pittsburgh. The portrait was sold at Parke-Bernet in New York on December 4–5, 1941, to William Robertson Coe of Oyster Bay, Long Island. Coe later transferred the work to the Coe Foundation, which gifted it to the National Gallery of Art in Washington, D.C., in 1961.
The painting is now in the National Gallery of Art, Washington, D.C., having been given by the Coe Foundation in 1961. Prior to that, it passed from the sitter William Davenport to his daughter‑in‑law Mrs. Cuthbert Leicester‑Warren, then through dealers A.J. Finberg, M. Knoedler & Co., and John Levy Galleries to Benjamin Franklin Jones Jr., who owned it by 1925 and lent it to a Pittsburgh exhibition that year. After Jones’s death it went to William Robertson Coe, the Coe Foundation, and finally to the NGA as a gift. The sources do not record an accession or inventory number for the work.
Overview
This oil on canvas depicts William Yelverton Davenport, a seated male figure. The portrait captures him in formal attire, conveying a sense of quiet dignity. The artist's focus on the sitter's features and clothing details contributes to the work's engaging quality, presenting a composed and thoughtful individual against an unadorned setting.
Subject & Meaning
The painting presents William Yelverton Davenport seated, his posture and attire suggesting a man of status. His expression is notably serene, characterized by a calm and gentle demeanor that implies a reserved temperament. This careful rendering of his facial features and the intricate details of his clothing emphasize his individual character, inviting contemplation of his personality.
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Artist & collection
Artist
Thomas Gainsborough (; 14 May 1727 (baptised) – 2 August 1788) was an English painter, draughtsman and printmaker who specialised in portrait and landscape painting.

















