Who painted Kreuzigungsaltar, linke Flügelaußenseite: Hl. Sigismund?

Kreuzigungsaltar, linke Flügelaußenseite: Hl. Sigismund was painted by Hans Burgkmair I in 1519.

Where can I see Kreuzigungsaltar, linke Flügelaußenseite: Hl. Sigismund?

Kreuzigungsaltar, linke Flügelaußenseite: Hl. Sigismund is held by Bavarian State Painting Collections.

What movement is Kreuzigungsaltar, linke Flügelaußenseite: Hl. Sigismund?

Kreuzigungsaltar, linke Flügelaußenseite: Hl. Sigismund is associated with Northern Renaissance.

Artwork

Kreuzigungsaltar, linke Flügelaußenseite: Hl. Sigismund

Hans Burgkmair I , 1519

Kreuzigungsaltar, linke Flügelaußenseite: Hl. Sigismund is an unspecified painting by the Northern Renaissance artist Hans Burgkmair I. It dates from 1519 and is held in the collection of the Bavarian State Painting Collections. This painting, dated to 1519, is a work by the German artist Hans Burgkmair the Elder, currently housed in the Alte Pinakothek.

About this work

Overview

This painting, dated to 1519, is a work by the German artist Hans Burgkmair the Elder, currently housed in the Alte Pinakothek. It forms part of the Kreuzigungsaltar, specifically the left outer wing, depicting Saint Sigismund.

Subject & Meaning

The subject, Saint Sigismund, is portrayed wearing a green robe, a gold collar, and a crown, indicating his royal and saintly status. He holds a sword, symbolizing power or martyrdom, and a palm frond, a symbol of victory or peace in Christian iconography.

Technique & Style

While specific technical details of the painting are not provided, Burgkmair's work from this period typically showcases meticulous attention to detail and the use of vivid colors, as evidenced by the contrasting green robe against a blue background with decorative archway elements.

History & Provenance

Created in 1519, the painting has been part of the Alte Pinakothek's collection. Detailed provenance prior to its acquisition by the museum is not specified in the available information.

Context

Commissioned as part of an altarpiece (Kreuzigungsaltar), this panel reflects the religious and artistic trends of early 16th-century Germany, where depictions of saints served both devotional and educational purposes.

Legacy

As part of Burgkmair's oeuvre, the painting contributes to the understanding of his artistic contributions to the Nuremberg school of painting, though its individual impact on the broader art historical canon is not distinctly outlined in the provided context.