Artwork
Plaque Portrait of Benjamin Franklin
Plaque Portrait of Benjamin Franklin is an ivory painting by the Rococo painting artist Jean-Baptiste Nini. It dates from 1829 and is held in the collection of the Metropolitan Museum of Art. This small, circular plaque presents a profile portrait of Benjamin Franklin.
About this work
Technique & Style
The use of ivory as the primary material defines the work's physical character and places it within a specific tradition of small-scale portraiture.
Created in 1829 by Jean-Baptiste Nini, this portrait of Benjamin Franklin is executed on an ivory support. The work functions as a plaque, measuring approximately 6.7 units in height and 5.1 units in width. Stylistically, the piece is derived from an earlier painting by the same artist, translating the original composition into this distinct medium.
As a portrait located within the American Wing classification, the object focuses entirely on the likeness of the subject. The use of ivory as the primary material defines the work's physical character and places it within a specific tradition of small-scale portraiture. The dimensions suggest a handheld or intimate display format, consistent with the genre's conventions during the early nineteenth century.
History & Provenance
The Plaque Portrait of Benjamin Franklin was created in 1829 by Giovanni Battista (Jean-Baptiste) Nini, as established by its inception date. While often attributed to Nini, the work is described as being after an earlier painting by the artist. The portrait was crafted in ivory and measures 6.7 by 5.1 centimeters.
Its provenance traces directly to the Metropolitan Museum of Art, where it is currently housed in The American Wing, classified under portraiture. No specific commissioning details or prior ownership history beyond its acquisition by the museum are documented in the available sources.
Overview
This small, circular plaque presents a profile portrait of Benjamin Franklin. While appearing to be ivory, the piece is a ceramic medallion, capturing Franklin's likeness with precision. Its compact form and refined execution offer a tangible representation of a prominent historical figure, designed for widespread distribution.
Context
The artist, Jean-Baptiste Nini, produced numerous such medallions, effectively circulating Franklin's image throughout Europe during the late 18th century. In an era predating photographic reproduction, these plaques served as an important means of visual communication, familiarizing a wide audience with the American statesman's appearance and persona.
Artist & collection
