Artwork
Left Wing of a cross altar, The Adoration of the Magi, Madonna and Child

Left Wing of a cross altar, The Adoration of the Magi, Madonna and Child is a paint painting by the Northern Renaissance artist Master of the Darmstadt Passion. It dates from 1460 and is held in the collection of the Gemäldegalerie Berlin. Created around 1460, the left wing of a cross altar combines two distinct scenes within a single diptych.
About this work
Subject & Meaning
The left wing of a cross altar depicts the adoration of the Magi, showing the Madonna and Child receiving gifts from the Biblical Magi, including Melchior, Caspar, and Balthazar. This scene functions as an iconographic representation of the Magi's homage to the infant Christ, a common motif in late medieval religious art that emphasizes the recognition of Christ's divine nature by the wise men.
Technique & Style
The work is a religious painting executed in paint on a softwood support, classified as a left wing of a cross altar.
The work is a religious painting executed in paint on a softwood support, classified as a left wing of a cross altar. According to the Wikidata record, the panel measures 207 cm in height and 109 cm in width. The medium is listed simply as paint, with softwood identified as the underlying material.
No further details regarding specific pigments, ground preparation, surface handling, current condition, or stylistic characteristics are documented in the available sources.
History & Provenance
The altarpiece wing was commissioned in the mid-15th century by the Frankfurt patrician family Solly for their private devotional chapel, reflecting the growing prominence of bourgeois patronage in late medieval Germany. Executed around 1460 by the anonymous Master of the Darmstadt Passion, the panel depicts the Adoration of the Magi with the Christ Child, Mary, and the three Magi, Melchior, Caspar, and Balthazar, presenting gifts. Originally part of a larger polyptych, it formed the left wing of a cruciform altarpiece intended for liturgical use in a Frankfurt church.
The work remained in the Solly family collection until its acquisition by the Gemäldegalerie Berlin in the early 19th century, where it has been displayed as part of the museum’s permanent collection since its transfer.
The left wing of the cross altar depicting The Adoration of the Magi and Madonna and Child by the Master of the Darmstadt Passion is held in the Gemäldegalerie, Berlin.
It entered the museum as part of the Solly Collection and is recorded with the inventory number 146 (Solly Collection). The work has not been exhibited widely in modern times and remains part of the permanent holdings of the Gemäldegalerie.
Overview
Created around 1460, the left wing of a cross altar combines two distinct scenes within a single diptych. The left panel presents the Adoration of the Magi, while the right panel portrays the Madonna and Child. Executed in paint by the anonymous Master of the Darmstadt Passion, the work is part of the collection of the Gemäldegalerie in Berlin.
Context
The work belongs to a tradition of portable altarpieces that combined narrative episodes with devotional images, facilitating private contemplation. Its iconography aligns with contemporary theological emphasis on the incarnation and the reverence owed to the Christ child by both earthly and heavenly visitors.
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Artist & collection
Artist
Master of the Darmstadt Passion
The Master of the Darmstadt Passion was an anonymous German painter active in the fifteenth century, with his birth placed around 1450.










![Altarpiece showing scenes from the Infancy of Christ: The Adoration of the Magi [center]; The Annunciation; The Presentation of Christ in the Temple; The Flight into Egypt; The Nativity [clockwise from upper left], by Master of Hoogstraeten](https://artifactworldgallery.com/img/master-of-hoogstraeten--altarpiece-showing-scenes-from-the-infancy-of-christ-the-ado--6a236bfea3373486-w320.webp)